Table of Contents

Carnage

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

Carnage exploded onto the comic book scene in The Amazing Spider-Man #361 in April 1992, though Cletus Kasady himself was introduced an issue prior. He was conceived by writer David Michelinie and brought to life visually by penciler Mark Bagley, with significant design influence from artist Erik Larsen who had previously drawn Venom. The creation of Carnage was a direct response to the evolving popularity of Venom. As Venom's character transitioned from a terrifying villain into a more complex anti-hero, Marvel's editorial team sought a replacement who could embody true, irredeemable evil. Michelinie envisioned a character with no sympathetic qualities whatsoever—a total psychopath whose union with a symbiote would create something far more dangerous than Venom. The idea was to create a villain who was essentially “the Joker of the Marvel Universe,” but with the physical power to level a city block. The name itself went through iterations, with “Chaos” and “Ravage” being considered before the perfectly descriptive “Carnage” was chosen. His design, a leaner, more chaotic red-and-black version of Venom, visually communicated this heightened sense of danger and instability. Carnage's debut perfectly captured the “grim and gritty” zeitgeist of early 1990s comics, and his immediate, shocking brutality made him an instant icon of supervillainy.

In-Universe Origin Story

The birth of Carnage is a tale of two monsters finding each other, a perfect storm of human evil and alien biology. While the core concept remains similar across continuities, the specifics of this union differ significantly between the comics and film.

Earth-616 (Prime Comic Universe)

The story of Carnage begins with the deeply disturbed life of Cletus Kasady. Even before his symbiotic transformation, Kasady was a monster. His childhood was a litany of horrific acts: he murdered his grandmother by pushing her down a flight of stairs, he tortured and killed his mother's dog with a drill, and after being sent to the St. Estes Home for Boys, he murdered the disciplinarian administrator and burned the orphanage to the ground. His entire philosophy was forged in this crucible of violence: a profound belief that life is meaningless, laws are a joke, and the only true freedom is found in random, chaotic destruction. As an adult, he became a prolific serial killer, eventually being captured and imprisoned at Ryker's Island. By a twist of fate, his cellmate was Eddie Brock, the recently disgraced host of the venom_symbiote. When the Venom symbiote, long separated from Brock, staged a dramatic prison break to reunite with its favored host, it left a small, overlooked piece of itself behind—its offspring. This nascent symbiote, an asexually reproduced spawn of Venom, found itself alone and vulnerable in the prison cell. It sought the nearest potential host, Cletus Kasady. Unlike the bond between Eddie Brock and his symbiote, which was a merging of two separate consciousnesses, the new symbiote bonded with Kasady on a far deeper level. It entered his body through a small cut on his hand, merging directly with his bloodstream. This created a singular, unified being: Carnage. Freed from prison, Carnage began his first killing spree, scrawling his name in his own blood at each crime scene. He was stronger, faster, and more versatile than his “father,” Venom. His bond with Kasady was perfect; where Eddie Brock often had to argue or reason with his symbiote, Cletus and his “other” were in complete agreement. They wanted nothing more than to paint the town red, quite literally, with the blood of anyone who crossed their path. This singular, horrific purpose made him an immediate and devastating threat to Spider-Man and the world at large.

Marvel Cinematic Universe (Sony's Spider-Man Universe)

In the film Venom: Let There Be Carnage (2021), the origin of Carnage is streamlined for the cinematic narrative, while retaining the core elements of Cletus Kasady's violent nature. This version of Cletus Kasady, portrayed by Woody Harrelson, is an infamous serial killer on death row at San Quentin Prison. He agrees to give an exclusive final interview to investigative journalist Eddie Brock (Tom Hardy). Kasady, a master manipulator, uses the interview to taunt Eddie, discerning the internal conflict Eddie feels with his own symbiote, Venom. During a heated confrontation, Kasady provokes Eddie and bites his hand, drawing blood. In doing so, he unknowingly ingests a minuscule portion of the Venom symbiote that was in Eddie's bloodstream. This alien genetic material reacts violently with Kasady's own biology, creating a new, distinct red symbiote. On the night of his scheduled execution by lethal injection, the symbiote awakens within Kasady, transforming him into the monstrous Carnage. He easily breaks free, slaughters the prison guards, and liberates the facility. The key adaptation in this origin is Kasady's motivation. While still a ruthless killer, his primary drive is not abstract nihilism but a desperate, twisted love for his childhood sweetheart, Frances Barrison (Shriek), who is imprisoned at the Ravencroft Institute. His subsequent rampage across San Francisco is a mission to rescue her and punish those who separated them. This provides a more concrete, character-driven goal compared to the comic version's pure love of slaughter, making him a more focused, albeit equally dangerous, antagonist for the film's narrative. The bond is also less a philosophical meeting of minds and more a biological accident born from a moment of aggression.

Part 3: Abilities, Equipment & Personality

Earth-616 (Prime Comic Universe)

Carnage is consistently depicted as one of the most powerful symbiotic beings on Earth, often possessing a raw power level exceeding that of Spider-Man and Venom combined. His unique blood-based bond grants him abilities his progenitor lacks.

Cletus Kasady's personality is the engine of Carnage. He is a pure nihilist. He believes that order is an illusion, morality is a lie, and that the universe is fundamentally a chaotic and meaningless place. For him, murder is the ultimate form of art and freedom. He doesn't kill for money, power, or revenge; he kills because he can. This complete lack of understandable motivation is what makes him so terrifying to heroes and villains alike. He is the personification of a natural disaster.

Marvel Cinematic Universe (Sony's Spider-Man Universe)

The cinematic Carnage mirrors many of the comic version's powers, emphasizing visual spectacle and raw destructive force.

The MCU/SSU version of Carnage is still a sadistic killer, but his psychology is more grounded. His worldview is less about abstract philosophy and more about a specific, personal rage against a world that abused and rejected him and his love, Shriek. His chaos has a purpose: to free Shriek and build a life with her, killing anyone who stands in their way. This adaptation serves the cinematic need for a villain with clearer motivations. He is less an avatar of chaos and more a super-powered spree killer on a deeply personal, if psychopathic, mission.

Part 4: Key Relationships & Network

Carnage is the ultimate loner, but his capacity for destruction often draws others into his orbit, whether as reluctant partners, mortal enemies, or objects of his twisted affection.

Core Allies

Arch-Enemies

Affiliations

Carnage's anarchic nature means he almost never joins established organizations. He either works alone or leads his own temporary gangs of lunatics. His most significant and terrifying affiliation came late in his history:

Part 5: Iconic Events & Storylines

Maximum Carnage (1993)

This 14-part crossover storyline is the definitive Carnage tale and a landmark event for 1990s comics. After escaping from the Ravencroft Institute, Carnage and Shriek embark on an unprecedented killing spree across New York City, gathering their “family” of villains along the way. The sheer scale of the violence, which incites city-wide riots, forces Spider-Man to assemble a desperate coalition of heroes and anti-heroes, including captain_america, Black Cat, Cloak & Dagger, and, most reluctantly, Venom. Carnage's arc is one of pure, unadulterated triumph in mayhem. He is not trying to achieve any goal beyond spreading as much death and chaos as possible, and in this, he largely succeeds, pushing the heroes to their moral and physical breaking points. The event permanently cemented Carnage's status as an A-list villain who required a team-level response to even contain, let alone defeat.

Carnage, U.S.A. (2011)

This miniseries showcased the horrifying potential of Carnage's powers on a larger scale. He travels to Doverton, Colorado, a small, isolated town, and takes it over completely. Using his ability to control his biomass, he infects the town's meat supply, bonding every man, woman, and child to a piece of his symbiote. He effectively creates his own nation of Carnage. The story pits him against a specialized Avengers team (Spider-Man, Captain America, Wolverine, Hawkeye, and The Thing) and the U.S. military. It was a terrifying exploration of Carnage as a biological weapon, demonstrating that his threat could extend far beyond simple murder to city-wide puppetry and control.

Absolute Carnage (2019)

This massive, line-wide event redefined Carnage for the modern era. After being resurrected by the Cult of Knull and bonded with the Grendel symbiote (a symbiote dragon), Cletus becomes “Dark Carnage.” Empowered by his dark god, he begins a global crusade to hunt down every character who has ever been a symbiote host, from major players like Peter Parker and Eddie Brock to obscure, one-off characters. His goal is to extract their codices to free Knull. Carnage is portrayed as an unstoppable, cosmic horror, a high priest of the apocalypse. The event was a critical and commercial success that paid off years of symbiote lore, re-established Carnage as a central and formidable threat to the entire Marvel Universe, and served as the direct prequel to the even larger King in Black event.

Part 6: Variants and Alternative Versions

See Also

Notes and Trivia

1) 2) 3) 4) 5) 6) 7)

1)
Carnage was created by writer David Michelinie because the editorial staff at Marvel felt that Venom was becoming too popular as an anti-hero and they needed a new villain who was irredeemably evil and could serve as a darker counterpart.
2)
Artist Mark Bagley is often credited with the final design, but he has stated that the core concept of a leaner, red, more chaotic Venom came from Erik Larsen, who preceded him on The Amazing Spider-Man. Bagley refined it into the iconic look known today.
3)
The storyline Absolute Carnage (2019) was a massive sales success and is widely considered one of the best Marvel events of the modern era, praised for its horror themes, focused narrative, and impactful consequences for the symbiote corner of the Marvel Universe.
4)
In the cinematic universe, Woody Harrelson's casting as Cletus Kasady was first teased in the mid-credits scene of the first film, Venom (2018), setting up his role as the main antagonist for the sequel a full three years before its release.
5)
The concept of a symbiote's “codex”—a genetic remnant left in a host's DNA—was introduced by writer Donny Cates and became the central MacGuffin for the Absolute Carnage event, providing a narrative reason for Carnage to hunt a vast array of Marvel characters.
6)
Cletus Kasady's backstory, particularly the murder of his grandmother and the burning of his orphanage, was established in the non-canon Spider-Man/Batman crossover comic before being officially integrated into the Earth-616 continuity.
7)
Source Material: First Appearance - The Amazing Spider-Man #360 (cameo as Kasady), #361 (full as Carnage). Key Storylines: Maximum Carnage (various titles, 1993), Carnage, U.S.A. (2011-2012), Absolute Carnage (2019).