Darth Vader
series, which is collectively titled “The Chosen One.” The full arc runs from issue #1 to #6.
Darth Vader
#3 (2017) is the third issue of the second ongoing Marvel Comics series centered on the titular Sith Lord. Published by marvel_comics, this series, subtitled Dark Lord of the Sith, is renowned for its exploration of Vader's earliest days following his transformation on mustafar.
Publication Data | Details |
---|---|
Series Title | Darth Vader (Volume 2) |
Issue Number | 3 |
Cover Date | September 2017 |
Publication Date | July 5, 2017 |
Writer | Charles Soule |
Penciler | Giuseppe Camuncoli |
Inker | Cam Smith |
Colorist | David Curiel |
Letterer | VC's Joe Caramagna |
Editor | Jordan D. White |
Publisher | Marvel Comics |
The creative team, led by writer Charles Soule, was tasked with the monumental challenge of filling in one of the most significant gaps in Vader's timeline. Soule's deep understanding of Force mythology, paired with Giuseppe Camuncoli's dynamic and expressive artwork, created a series that was immediately hailed by fans and critics for its dark tone, psychological depth, and meaningful contributions to the new Star Wars canon.
The events of Darth Vader
#3 occur in the year 19 BBY (Before the Battle of Yavin), mere days or weeks after the conclusion of Star Wars: Episode III - Revenge of the Sith. The issue takes place immediately following the destruction of Anakin Skywalker's original blue lightsaber by Palpatine in the previous issue, which itself followed Vader's painful rebirth in his iconic cybernetic suit.
This specific placement is crucial for several reasons:
Before Disney's acquisition of Lucasfilm and the subsequent canon reset in 2014, the explanation for red Sith lightsabers was primarily found in the “Legends” continuity (formerly the Expanded Universe). In Legends, it was established that Sith could not bond with natural kyber crystals as Jedi could, so they primarily used synthetic crystals, often created in special furnaces. The process of creating these synthetic crystals imbued them with a red color and occasionally gave the resulting blades unique properties. This issue, and the storyline it's part of, completely overwrites that lore for the new canon. Charles Soule introduced the concept of “bleeding” a kyber crystal.
This singular concept, introduced here, has become a fundamental tenet of the modern Star Wars canon, referenced in novels, guidebooks, and video games like Jedi: Fallen Order
. Darth Vader
#3 is the on-page debut of this world-building revelation in action.
Darth Vader
#3, titled “The Chosen One, Part III,” is a study in brutality, vulnerability, and the forging of a weapon. The narrative is a direct, linear hunt, culminating in a devastating confrontation that redefines Vader's understanding of his own limitations.
The issue opens with Darth Vader's ship descending towards the lush, green river moon of Al'doleem. His mission, given by Emperor Palpatine, is simple and cruel: find a surviving Jedi, kill them, and take their kyber crystal to create his own Sith lightsaber. Palpatine has informed him that a Jedi Master, Kirak Infil'a, is located here. Vader lands in a small city perched precariously on a cliffside. The city's inhabitants are immediately hostile, recognizing the Imperial shuttle. Their defense is not military but based on automated combat droids and turrets. Vader, without a lightsaber, is forced to rely solely on his immense power in the Force. He dispatches the initial wave of droids with brutal efficiency, using the Force to crush them, tear them apart, and hurl them at their allies. This opening sequence establishes his raw power but also his current handicap without his signature weapon.
Vader learns from a terrified local that the Jedi he seeks lives atop the highest mountain peak, far above the city. The only way up is a perilous climb or via a sophisticated tram system. As Vader approaches the tram, he is confronted by the city's ancient guardian: a massive, multi-limbed combat droid. The fight is a showcase of Vader's tactical thinking and overwhelming Force abilities. He cannot physically overpower the massive machine. Instead, he uses the Force to manipulate the environment, tearing chunks of rock from the cliffs to bombard the droid and using its own momentum against it. Ultimately, he rips the tram car from its cable and sends it crashing down upon the guardian, destroying it completely. The sequence underscores that while Vader is a formidable Force user, he is not yet invincible and must use his intellect to overcome superior physical threats.
Having survived the ascent, Vader finally reaches a serene Jedi temple at the mountain's peak. Inside, meditating, is Master Kirak Infil'a. Kirak is a physically imposing figure, exuding an aura of immense power and control. He is unsurprised by Vader's arrival, having sensed his dark presence. Their initial dialogue is one of the issue's most critical moments. Vader, arrogant in his Sith might, demands the Jedi's weapon. Kirak explains that he is under the Barash Vow. This is the first time this concept is introduced into Star Wars canon. Kirak explains the vow: to completely disconnect from the Force in all ways except for passive, personal meditation. He took this vow as a penance for a past failure, abstaining from any involvement in the galaxy, including the Clone Wars and the Jedi Order's politics. This is why he survived Order 66—he was completely off the grid and hidden from the Force itself. However, Kirak states that the arrival of a dark sider like Vader constitutes an attack that is significant enough to allow him to release his vow. He calmly warns Vader to leave, as he has no wish to fight. Vader, of course, refuses.
Kirak Infil'a re-engages with the Force, and the effect is explosive. Having spent years in pure meditation, his connection is incredibly powerful and focused. He ignites his green lightsaber and the duel begins. The fight is brutally one-sided. Vader, still clumsy and unaccustomed to his prosthetic limbs and heavy armor, is completely outmatched. Kirak is a master duelist whose style is aggressive and relentless.
The artwork by Camuncoli is kinetic and devastating. Panels show Vader being thrown through walls, his armor sparking and denting under Kirak's assault. For the first time since his duel with Obi-Wan, Vader is thoroughly and completely defeated in combat.
The duel culminates atop the temple, overlooking a massive drop. Kirak, having utterly dominated the Sith Lord, delivers a final, powerful Force Push. Darth Vader is sent hurtling over the edge of the cliff, his body tumbling down the massive mountain he just climbed. The final panels of the issue show Vader's broken form lying amidst the wreckage of the city at the mountain's base. Kirak Infil'a stands victorious at the peak, a lone Jedi Master who has single-handedly defeated the Emperor's new enforcer. The issue ends on a cliffhanger, with Vader seemingly dead or incapacitated, his mission a catastrophic failure.
This is not the Vader audiences know best. He is a crucible of conflicting elements.
Kirak Infil'a was created specifically for this series and serves as a perfect narrative foil for this early-stage Vader.
Though he only appears briefly at the beginning of the arc, Palpatine's presence looms over the entire issue. His actions are those of a master manipulator.
This issue is not just about a fight; it's about a transformation. Vader's journey up the mountain is a metaphor for his dark-side ascension. He must overcome physical obstacles (the droids, the climb) and a powerful ideological opponent (Kirak). His defeat is a necessary part of this process. True monsters are not born; they are made through fire and suffering. This issue is a key part of the fire that forges Darth Vader, burning away the last remnants of Anakin Skywalker.
The duel between Vader and Kirak is a clash of philosophies on the Force.
In this initial confrontation, control and precision triumph over raw, unfocused rage. It teaches Vader a valuable lesson: anger alone is not enough. He must learn to channel and control it to become truly powerful.
The introduction of the Barash Vow is a significant piece of world-building. It provides a clever and lore-consistent explanation for how a Jedi Master of Kirak's power could have survived Order 66 and remained hidden. It deepens the Jedi tradition, showing that there are paths of devotion beyond that of a soldier or diplomat, and it has been referenced in other Star Wars media since its creation here.
Seeing Darth Vader, the ultimate cinematic villain, so utterly and soundly beaten is a jarring and powerful moment. It's a narrative masterstroke because it re-establishes the stakes. Vader is not yet at his peak. He is fallible, he can be hurt, and he can be defeated. This vulnerability makes his eventual rise to near-invincibility far more compelling and earned. His fall from the mountain is both literal and metaphorical—a fall from the arrogance with which he began his mission, forcing a painful rebirth in the rubble below.
The impact of Darth Vader
#3, and its surrounding arc, extends far beyond its own pages. It laid foundational groundwork for much of the modern understanding of the Sith in the current canon.
This is, without question, the issue's single greatest contribution to the lore. The concept of bleeding a crystal has become the definitive explanation for red lightsabers.
Star Wars Jedi: Fallen Order
and its sequel Star Wars Jedi: Survivor
feature this concept heavily. The protagonist, Cal Kestis, even witnesses the process and discusses its implications.The Secrets of the Jedi
, and novels have since reiterated and expanded upon the bleeding process, cementing its place in the franchise. It is now a core part of how the Force, the Jedi, and the Sith are understood.
While Kirak only appears in this story arc, he has become a fan-favorite character. He represents a powerful “what if” scenario—a Jedi purely dedicated to combat who was untainted by the politics of the Clone Wars. He serves as a crucial benchmark for Vader's power level in the immediate aftermath of Revenge of the Sith
and is often used in fan discussions and power-scaling debates as the yardstick against which other post-Order 66 survivors are measured.
Charles Soule's Darth Vader run is almost universally considered one of the best comic series of the new Star Wars canon. This specific issue was praised for its brutal action, stunning artwork, and a narrative that gave real weight and consequence to Vader's early days. Critics and fans lauded the introduction of Kirak Infil'a and the brilliant, thematically rich explanation for red lightsabers. It demonstrated that Marvel Comics could do more than just adapt the films; they could add meaningful, lasting, and essential lore to the Star Wars galaxy.
Darth Vader
series, which is collectively titled “The Chosen One.” The full arc runs from issue #1 to #6.Light of the Jedi
, which is set in the High Republic era.Dark Lord: The Rise of Darth Vader
by James Luceno. In that story, he constructs a new lightsaber hilt and uses the Force and a furnace to create a synthetic red crystal, in line with the old Expanded Universe lore.