Table of Contents

Horsemen of Apocalypse

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

The Horsemen of Apocalypse burst onto the comic scene in X-Factor #15, published in April 1987. They were conceived by writer Louise Simonson and artist Walt Simonson as the centerpiece of their transformative run on the title. Their creation served a crucial narrative purpose: to facilitate the shocking and tragic transformation of Warren Worthington III, the optimistic hero known as Angel, into the grim and metallic Archangel. This development occurred in the shadow of the “Mutant Massacre” crossover event, during which Angel's wings were brutally mutilated, leading to their amputation. Plunged into a deep depression and suicidal despair, Warren became the perfect candidate for Apocalypse's twisted salvation. The introduction of the Horsemen—War, Famine, and Pestilence—alongside the newly-christened “Death” created an instant, high-stakes threat for the original X-Men lineup in X-Factor. The concept drew heavily on the Four Horsemen of the Apocalypse from the Book of Revelation, providing a powerful, resonant, and apocalyptic theme that perfectly matched their new master's name and mission. The Simonson's work established the Horsemen as one of the most terrifying and personal threats the X-Men had ever faced.

In-Universe Origin Story

The history of the Horsemen is as long and brutal as that of their master. It is a legacy of conquest and forced evolution, with a clear distinction between the millennia-spanning lineage of the comics and the singular incarnation seen in film.

Earth-616 (Prime Comic Universe)

The tradition of the Horsemen began thousands of years ago, shortly after En Sabah Nur's own birth in ancient Egypt. As he traveled the world, gathering power and followers who would eventually become Clan Akkaba, he periodically selected four powerful individuals to serve as his personal guard and field commanders. His first recorded set of Horsemen, hailing from the era of the 11th century Crusades, included a knight, a Bedouin chief, a Japanese assassin, and a Persian vizier. These early Horsemen were augmented by a combination of Apocalypse's own mutant powers and the alien Celestial technology he had discovered. For centuries, Apocalypse would go into periods of hibernation, and upon awakening, he would recruit a new set of Horsemen to test the mettle of the current age. The process was always one of violent transformation. He sought out individuals who embodied the concepts of War, Famine, Pestilence, and Death, either in their abilities or their circumstances, and “improved” them, bonding them with techno-organic machinery, altering their genetics, and shattering their minds to ensure loyalty. The most famous and impactful incarnation of the Horsemen was formed in the modern era. Following the “Mutant Massacre,” Apocalypse located the four individuals who would become his heralds of the new age:

This team was unleashed upon New York City during the “Fall of the Mutants” storyline, presenting a deeply personal challenge to X-Factor, who were forced to fight their corrupted friend and teammate. Though this lineup was eventually defeated, the template was set. Apocalypse would go on to create many more sets of Horsemen over the years, each time using powerful mutants as his raw material for destruction.

Cinematic Universe (Fox's X-Men)

It is crucial to note that the Horsemen have not yet appeared in the Marvel Cinematic Universe (MCU). Their sole live-action appearance is in the 20th Century Fox film X-Men: Apocalypse (2016), which exists in a separate continuity. In this timeline, Apocalypse (Oscar Isaac) is an ancient and immensely powerful mutant who was betrayed and entombed beneath Egypt in 3600 BCE. He is reawakened in 1983 and is disgusted by the state of the world, viewing humanity and its “false gods” of politics and consumerism as a sickness that must be purged. To carry out his plan of global destruction and rebirth, he seeks out four powerful mutants to serve as his Horsemen. Unlike the comics' emphasis on techno-organic body horror and brainwashing, the film's recruitment process is more about ideological persuasion and raw power amplification.

The primary difference from the comics is motivation. While the comic Horsemen are often mind-controlled puppets, the film's versions (especially Magneto and Storm) join Apocalypse more willingly, driven by disillusionment, grief, or a desire for power. Their eventual betrayal of him is therefore a conscious choice rather than a breaking of mental conditioning.

Part 3: Mandate, Structure & Key Members

The core purpose of the Horsemen is to be the ultimate instruments of Apocalypse's will. They are his generals, his executioners, and the living symbols of the destruction he seeks to visit upon the world.

Earth-616 (Prime Comic Universe)

Mandate & Ideology

The Horsemen's mandate is the violent application of social Darwinism. They are tasked with “culling the weak,” destroying civilizations that Apocalypse deems stagnant, and eliminating any threats to his ascension. Each Horseman's title reflects their function:

The Transformation Process

Becoming a Horseman is an agonizing and violating process. Apocalypse uses a fusion of his own mutant abilities and advanced Celestial technology. Key elements include:

Notable Horsemen Lineups

The roster of the Horsemen has been a revolving door of corrupted heroes and villains. Below are some of the most significant incarnations.

Title Incarnation Key Members Notable Story Arc
Death First Modern Horsemen Archangel (Warren Worthington III) Fall of the Mutants
War Abraham Kieros
Famine Autumn Rolfson
Pestilence Plague (a Morlock)
Death The Twelve Wolverine (briefly, after a fight with a Skrull posing as him) The Twelve
War Deathbird
Famine Ahab
Pestilence Caliban
Death Blood of Apocalypse Gambit (Remy LeBeau) X-Men (vol. 2) #182-187
War Gazer
Famine Sunfire (Shiro Yoshida)
Pestilence Polaris (Lorna Dane)
Death The Final Horsemen Psylocke (briefly, under Archangel's influence) The Dark Angel Saga
War Jeb Lee (a Confederate soldier)
Famine Sanjar Javeed (a Persian diplomat)
Pestilence Ichisumi (a Japanese geisha)
War Horsemen of Salvation Colossus Extraordinary X-Men
Death Horsemen of Death (Kraven's Hunt) Banshee, Daken, Grim Reaper, The Sentry 1) Uncanny Avengers (vol. 1)

Other notable individuals who have served as Horsemen include the Incredible Hulk (as War), Caliban (as both Pestilence and later Death), and Mister Sinister.

Cinematic Universe (Fox's X-Men)

In the film X-Men: Apocalypse, the structure is far simpler, consisting of a single, modern-day team recruited for one specific mission.

Mandate & Recruitment

Their mandate is to serve as Apocalypse's primary agents in his plan to destroy modern civilization and remake the world. He seeks them out based on their power and their vulnerability. His recruitment pitch is one of liberation—freeing them from the constraints of a world that fears them and offering them their ultimate potential.

Enhanced Powers

Apocalypse acts as a massive power conduit, amplifying his chosen four's mutant abilities to incredible new heights:

Part 4: Key Relationships & Network

Core Allies

The Horsemen have no true allies, only a master.

Arch-Enemies

Affiliations

The Horsemen's sole affiliation is with Apocalypse. They are a self-contained unit, a dark reflection of a super-team like the X-Men or the Avengers. Their “membership” is not voluntary, and any past affiliations are violently erased during their transformation. Upon being freed or defeated, many former Horsemen struggle to reintegrate into their old lives, forever tainted by their time in servitude. Characters like Gambit, Polaris, and Sunfire have all had to deal with the fallout and mistrust from their heroic peers after being freed from Apocalypse's control.

Part 5: Iconic Events & Storylines

The Horsemen are often the catalysts for major, universe-altering events. Their appearance signals that the stakes have been raised to an apocalyptic level.

Fall of the Mutants (1988)

This is the quintessential Horsemen story. After their individual recruitments, Apocalypse unleashes his four Horsemen upon New York City. X-Factor confronts them, leading to the shocking and emotional reveal of their friend Angel as the silent, blue-skinned Horseman of Death. The storyline showcases the raw power and cruelty of the new team, with War's powers causing mass hysteria, Famine draining the life from heroes and civilians, and Pestilence spreading disease. The story culminates in a brutal battle where X-Factor must make the hard choice to fight their corrupted friend to save the city. It permanently changed Warren Worthington, leaving him with blue skin and metal wings for years to come.

The Twelve (1999-2000)

In this sprawling crossover, an ancient prophecy comes to light regarding twelve powerful mutants whose combined energy could grant Apocalypse cosmic power. To gather them, Apocalypse assembles a new team of Horsemen, including the Skrull-impersonated Wolverine as Death. This arc was significant for showing that even the most resilient and strong-willed hero like Wolverine was not immune to being turned into a Horseman. It also saw Caliban, a long-suffering Morlock, “upgraded” from Pestilence to the new Horseman of Death after Wolverine broke free, continuing his tragic arc of servitude to Apocalypse.

The Dark Angel Saga (Uncanny X-Force, 2011)

This critically acclaimed storyline by Rick Remender explores the long-term psychological damage of being a Horseman. It reveals that the Death Seed planted in Warren Worthington so long ago has been slowly growing, causing his Archangel persona to completely subsume his original personality. Believing himself to be the rightful heir to a now-deceased Apocalypse, Archangel assembles his own “Final Horsemen” and attempts to use a World-Seed to “burn” the world clean and forcibly evolve all life on Earth. The story is a dark, tragic examination of nature versus nurture, forcing his teammates in X-Force to confront the horrifying possibility that the only way to save the world is to kill their friend.

Part 6: Variants and Alternative Versions

The concept of the Horsemen is so powerful that it has been reinterpreted across numerous alternate realities and adaptations.

See Also

Notes and Trivia

2) 3) 4) 5) 6) 7) 8)

1)
Resurrected by the Apocalypse Twins
2)
The concept of the Four Horsemen is taken directly from Chapter 6 of the Book of Revelation in the New Testament of the Bible, which describes four beings who ride out on white, red, black, and pale horses, symbolizing Conquest/Pestilence, War, Famine, and Death, respectively.
3)
Louise Simonson has stated in interviews that the idea to transform Angel came from a desire to give the character more depth and move him away from his somewhat one-dimensional “rich pretty boy” persona. The physical and psychological trauma of becoming Archangel achieved this definitively.
4)
In an alternate future timeline seen in The Adventures of Cyclops and Phoenix, a young Nathan Summers (Cable) is infected with the techno-organic virus by Apocalypse, who intended to make the boy his new host. While the plan failed, this T-O virus became a central part of Cable's character.
5)
Many characters have successfully resisted becoming a Horseman. In one instance, Apocalypse attempted to make the Hulk his Horseman of War. While he succeeded for a time, the Hulk's incredible rage and stubbornness eventually allowed him to physically rip Apocalypse's implants from his own body.
6)
The film X-Men: Apocalypse originally had a post-credits scene that would have shown the debut of Mister Sinister, hinting at his involvement in future stories. This was ultimately cut, but the “Essex Corp” branding in the final scene is a direct reference to Sinister's real name, Nathaniel Essex.
7)
During the “Dark Angel Saga,” the Final Horsemen were discovered in a hibernation chamber where they had been waiting for centuries. Their origins are diverse and tragic: Jeb Lee was a Confederate soldier who sold his loyalty for a cure to his horrific injuries, Sanjar Javeed was a 7th-century Persian who sought the power to bed any woman he desired, and Ichisumi was a 19th-century geisha who was buried alive with her lover and accepted Apocalypse's offer to gain the power to spread a lethal pestilence through a kiss.
8)
Key Reading List: X-Factor (1986) #15-25 for the debut; X-Men (1991) #95-97 for Wolverine as Death; X-Men (2004) #182-187 for Gambit as Death; Uncanny X-Force (2010) #1-18 for the Dark Angel Saga.