Table of Contents

The Marvel Cinematic Universe Multiverse

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

The concept of a multiverse was not a day-one invention for Marvel Comics but rather an elegant solution to continuity puzzles and a wellspring for creative storytelling. The idea first took concrete form in the Silver Age, largely as a way to connect the company's 1940s Golden Age heroes with its new slate of 1960s characters. The seminal story is often cited as The Flash #123 (1961) from rival DC Comics, which introduced Earth-Two. Marvel followed suit, with early explorations of alternate realities and dimensions in series like `doctor_strange`'s adventures in Steve Ditko's surreal landscapes. The term Earth-616, the designation for the prime Marvel Comics universe, has a surprisingly specific origin. It was first used in the UK-based The Daredevils #7 (1983) in a Captain Britain story written by Alan Moore (though sometimes credited to Dave Thorpe). The number was chosen arbitrarily, intended to be a subtle jab at the tendency for other publishers to designate their main reality as “Earth-One.” For decades, this was an inside joke for dedicated fans, but it was eventually canonized and is now the universally accepted term for the primary comic book reality. Writers like Roy Thomas, Steve Englehart, and Mark Gruenwald greatly expanded the multiverse concept through the 70s and 80s. However, it was Jonathan Hickman's epic run on Avengers and New Avengers (2012-2015), culminating in the Secret Wars event, that truly centered the Multiverse as the most critical element of Marvel cosmology, exploring its death and rebirth in a way that redefined the entire comic line. This storyline has become a major inspiration for the MCU's own Multiverse Saga.

In-Universe Origin Story

Earth-616 (Prime Comic Universe)

The origin of the Marvel Comics Multiverse is an epic, near-incomprehensible cosmic saga. It is not a recent creation but the result of a cyclical process of cosmic death and rebirth. The Multiverse that readers have known for most of Marvel's history is, in fact, the Seventh Cosmos. Before it, there was the First Cosmos, a singular, sentient universe. Its end led to the creation of the Second Cosmos, the first to introduce the concept of parallel realities. This cycle repeated, with each iteration of the Multiverse growing more complex. The Sixth Cosmos was consumed by powerful beings known as the Beyonders, leading to a period of cosmic void before the Big Bang that created the Seventh Multiverse. This Seventh Multiverse is the one readers are most familiar with. It is a naturally occurring, infinitely branching system. Every decision, every random chance, creates a new divergent timeline that becomes its own fully-fledged universe. These universes exist as separate “membranes” vibrating at different frequencies, floating within a medium called the Superflow. Travel between them is difficult, typically requiring immense cosmic power, advanced technology, or access to a rare Nexus of All Realities, a cross-dimensional gateway often found in a swamp in the Florida Everglades and guarded by the Man-Thing. This structure was historically overseen by cosmic entities. The Living Tribunal, a being with three faces representing Equity, Necessity, and Vengeance, served as the ultimate judge, intervening only when the entire Multiversal balance was at risk. Each universe also had its own abstract entities, like Eternity (the sum of all life in that universe) and Death. For a time, the Captain Britain Corps, an interdimensional league of heroes, policed the Multiverse from their base in the Starlight Citadel. This era came to a cataclysmic end with the “Incursions,” an event where universes began colliding and annihilating each other, a multiversal decay engineered by the Beyonders. This led to the events of Secret Wars (2015), where the Multiverse died and was temporarily replaced by a patchwork reality called Battleworld, before being reborn by Reed Richards as the Eighth Cosmos.

Marvel Cinematic Universe (MCU)

The MCU's Multiverse has a dramatically different and more deliberate origin, rooted in conflict and control. For eons, a true, chaotic multiverse existed, much like its comic book counterpart. However, in the 31st century on one particular Earth, a scientist named Nathaniel Richards discovered the existence of these parallel realities. So did his other selves, his Variants. While some, like him, sought peaceful collaboration and knowledge-sharing, others saw only new worlds to conquer. The result was a devastating Multiversal War, where infinite versions of this man—who would come to be known as Kang—fought for supremacy, threatening to annihilate all of existence. The original Nathaniel Richards variant discovered a creature called Alioth, a being capable of consuming space and time itself. He weaponized it, ended the war by destroying all other Kang variants, and isolated a cluster of timelines, weaving them together into what he called the “Sacred Timeline.” This was not a single universe but a carefully curated collection of realities that all flowed in the same general direction, all leading to his own birth and preventing the rise of his dangerous Variants. To maintain this artificial order, he created the Time Variance Authority (TVA), a bureaucratic organization existing outside of time, and populated it with brainwashed Variants from pruned timelines. He hid his identity, presenting himself to the TVA through android “Time-Keepers” and taking on the moniker He Who Remains. The TVA's sole purpose was to monitor the Sacred Timeline for any “Nexus Events”—moments where an individual's choice created a divergent branch that could potentially lead to the birth of a new Kang Variant. When such a branch occurred, the TVA would arrive, “prune” the branch (erasing it and its inhabitants from existence), and arrest the Variant responsible for the deviation. This enforced peace lasted for millennia until two Variants of Loki—the protagonist Loki and his female Variant, Sylvie—managed to reach He Who Remains's fortress, the Citadel at the End of Time. Despite his warnings that his death would unleash his infinitely more dangerous selves, Sylvie, driven by revenge for having her life stolen by the TVA, killed him. His death shattered the Sacred Timeline, causing it to instantly and chaotically branch out into a new, untamed Multiverse, setting the stage for the MCU's Multiverse Saga.

Part 3: Laws, Structures, and Key Concepts

Earth-616 (Prime Comic Universe)

The comic multiverse is governed by a complex set of rules and defined by specific cosmic structures.

Marvel Cinematic Universe (MCU)

The MCU's multiverse, being newer, has a more narratively focused set of rules, many of which have been established in service of the ongoing saga.

Part 4: Key Locations, Inhabitants & Guardians

Key Locations

Key Inhabitants & Travelers

Guardians & Regulators

Part 5: Iconic Events & Storylines

Secret Wars (2015) (Comics)

This is arguably the most significant multiverse-centric event in Marvel Comics history. The storyline was the culmination of Jonathan Hickman's long-running narrative. The premise was that the entire multiverse was dying due to the Incursions. The final Incursion involved the last two surviving universes: Earth-616 and the Ultimate Universe (Earth-1610). Both were destroyed, but Doctor Doom, having stolen the power of the Beyonders, salvaged fragments of dozens of dead realities and stitched them together to form Battleworld, a new planet which he ruled as God-Emperor. The event saw survivors from Earth-616 challenge Doom's rule, with Reed Richards ultimately seizing his power and, with the help of his son Franklin, rebuilding the multiverse from scratch, starting a new Eighth Cosmos.

The Multiverse Saga (MCU)

Spanning Phases 4, 5, and 6 of the MCU, this entire narrative arc is the cinematic equivalent of a grand multiversal event.

Spider-Verse (Comics & Film)

While the animated Spider-Verse films are not part of the MCU, their cultural impact on popularizing the multiverse is undeniable and has heavily influenced audience reception of MCU concepts. The original 2014 comic storyline, Spider-Verse, introduced the Inheritors, a family of multiversal predators who feed on the life force of “Spider-Totems” (i.e., anyone with spider-powers). This forced every Spider-Man, Spider-Woman, and Spider-Animal from across the multiverse to team up. The core concept of the Web of Life and Destiny, a cosmic construct that connects all Spider-Totems, is central to this mythology. The success of the storyline and its animated film adaptations created a mainstream appetite for Variant storytelling that the MCU capitalized on with No Way Home and Loki.

Part 6: Variants and Alternative Versions

Ultimate Universe (Earth-1610)

Launched in 2000, the Ultimate Marvel line was an attempt to create a fresh, modernized version of Marvel's most popular characters without the baggage of 40 years of continuity. This universe, designated Earth-1610, was grittier and more cinematic. It was the birthplace of Miles Morales and the Samuel L. Jackson-inspired Nick Fury, both of whom would later be integrated into the main comic universe and the MCU, respectively. The Ultimate Universe was a massive creative success and heavily influenced the tone and aesthetic of the early MCU films. It was ultimately destroyed during its Incursion with Earth-616 in the prelude to Secret Wars (2015).

Earth-838 (MCU)

This reality was explored in Doctor Strange in the Multiverse of Madness. It represents a world where heroes made different, arguably more pragmatic and ruthless, choices. Their version of the Illuminati (featuring Captain Carter, Captain Marvel (Maria Rambeau), Black Bolt, Mister Fantastic, and Professor X) successfully defeated Thanos on Titan by killing him. However, they also determined their own Doctor Strange was the greatest threat to their universe after he used the Darkhold, and they executed him. This universe showcased a technologically advanced society but one ruled by a secretive and deadly council, a dark reflection of what the heroes of Earth-616 could become.

The //What If...?// Universes (MCU)

The animated series What If…? is a direct exploration of the MCU's multiverse, guided by The Watcher. Each episode showcases a different reality where a single choice created a new timeline. Notable universes include:

These stories are not just isolated tales; The Watcher eventually brought several of these heroes together as the Guardians of the Multiverse to fight Infinity Ultron, proving their interconnectedness within the larger MCU Multiverse.

See Also

Notes and Trivia

2) 3) 4) 5) 6)

1)
The designation of the main MCU reality as “Earth-616” is a point of contention. For years, the official Official Handbook of the Marvel Universe A to Z designated it as Earth-199999. The in-film use of “616” could be a simple Easter egg, an acknowledgement of its comic roots, or a deliberate retcon by Marvel Studios to align its primary universe with the iconic comic number.
2)
The concept of a “dimension” versus a “universe” is often used interchangeably but has a specific distinction in Marvel cosmology. A universe is a complete space-time continuum. A dimension (like the Dark Dimension or the Quantum Realm) is a separate plane of existence that is often connected to a host universe but operates under different physical laws. One can travel to another dimension without necessarily traveling to another universe.
3)
The first explicit mention of a parallel universe in what would become Marvel Comics was in a 1940s Captain America story where he visits a world called “Hurlandia.” However, this was a one-off story and not part of a larger, codified multiverse at the time.
4)
In Jonathan Hickman's Secret Wars, the reason the Beyonders engineered the Incursions and the death of the Seventh Multiverse was revealed to be a simple, terrifying experiment: they wanted to see what would happen if they killed everything.
5)
Fan theories about the MCU's Avengers: Secret Wars abound, with many speculating it will serve as a soft-reboot of the franchise, allowing Marvel Studios to integrate characters from the X-Men and Fantastic Four franchises seamlessly into the main MCU reality, similar to how the comic event merged the 616 and 1610 universes.
6)
The number 616 was supposedly chosen by Alan Moore/Dave Thorpe because 666, the Number of the Beast, was too obvious, so they transposed the last two digits. Another story suggests it was simply the number they came up with when asked to invent one.