The journey to bring Captain America to the big screen was a long and arduous one, predating the formation of Marvel Studios. A low-budget film was released directly to video in 1990, but a major theatrical release remained in development hell for years. In the mid-2000s, as Marvel Studios began to build its interconnected cinematic universe, a Captain America film was identified as a cornerstone project. Initially, Jon Favreau, director of `Iron Man`, was interested in directing a Captain America film as a comedy, but he ultimately chose to focus on Iron Man. Marvel Studios then sought a director who could capture a specific tone: one that was sincere, adventurous, and had a classic, pulp-inspired feel. They found their perfect match in Joe Johnston, whose previous work on the 1991 film The Rocketeer demonstrated a deft hand at crafting heartfelt, 1940s-era pulp adventures. Johnston's hiring in November 2008 was a clear signal of the film's intended direction. The casting process for Steve Rogers was extensive. Actors like John Krasinski, Ryan Phillippe, and Sebastian Stan (who would ultimately be cast as Bucky Barnes) were considered. Marvel Studios eventually offered the role to Chris Evans. Evans famously turned down the role multiple times, hesitant to commit to a massive, multi-film contract and the accompanying loss of anonymity. It took persuasion from Marvel executives like Kevin Feige and a supportive call from Robert Downey Jr. to convince Evans that the role was more about the character's internal journey than the superheroics, leading him to finally accept the part that would define his career.
Principal photography began on June 28, 2010, in the United Kingdom, with locations in London, Manchester, and Liverpool meticulously dressed to resemble 1940s New York City. The film's aesthetic, crafted by production designer Rick Heinrichs, was crucial. It aimed for a “1940s-but-more” look, grounding the world in historical reality while infusing it with HYDRA's advanced, Tesseract-powered technology. This created a unique visual language, blending classic war movie sensibilities with sci-fi elements. One of the film's most significant technical challenges was the creation of “Skinny Steve.” The visual effects team, led by Lola Visual Effects, employed a variety of techniques to convincingly portray the pre-serum, 98-pound Steve Rogers. This included digital head replacement, forced perspective, green screens, and having a body double, Leander Deeny, on set to mimic Evans's movements. The result was a seamless and revolutionary effect that was critical to selling the character's physical transformation. The design of Captain America's costume and shield also went through a careful evolution. The initial, comics-accurate USO costume was deliberately designed to look flamboyant and impractical, highlighting Steve's initial role as a propaganda tool. Howard Stark later designs his functional, tactical field uniform, made of a carbon polymer material, which provides a more grounded and believable look for combat. The iconic shield is introduced as a vibranium prototype, noted for its unique ability to absorb all vibrations, a key characteristic drawn directly from the comics.
The musical score, composed by the legendary Alan Silvestri, is widely regarded as one of the best in the MCU. Silvestri, known for his work on Back to the Future and Forrest Gump, crafted a sweeping, patriotic, and heroic main theme for Captain America that perfectly encapsulates the character's earnestness and courage. The score effectively blends bombastic action cues with moments of quiet emotional depth. The period-appropriate song “Star Spangled Man,” written by Disney's legendary songwriter Alan Menken, serves as a brilliant and catchy centerpiece for the USO montage sequence, perfectly capturing the propaganda-fueled spirit of the era.
The film's narrative is a classic hero's journey, structured to chronicle Steve Rogers's transformation from a determined but physically frail young man into the world's first superhero.
In 1942, as World War II rages, the scrawny but courageous Steve Rogers from Brooklyn repeatedly attempts to enlist in the U.S. Army, only to be rejected for a myriad of health problems. His best friend, Sgt. James “Bucky” Barnes, prepares to ship out with the 107th Infantry Regiment. While visiting the Stark Expo with Bucky, Steve makes one last attempt to enlist. His unwavering determination is overheard by Dr. Abraham Erskine, a German scientist who has defected to the Allies and now works for the Strategic Scientific Reserve (SSR). Erskine sees in Steve the quality he values most: not a perfect soldier, but a good man. Steve is accepted into a special program under the command of the gruff Colonel Chester Phillips and the highly capable British agent Peggy Carter. He struggles with the physical demands of training but consistently demonstrates superior ingenuity, bravery, and selflessness, culminating in him diving on what he believes to be a live grenade to save his fellow soldiers. This act solidifies Erskine's choice. Meanwhile, in Norway, Johann Schmidt, the menacing leader of HYDRA—the Nazi's deep science division—recovers the Tesseract, a cube of immense cosmic power he believes to be a jewel from Odin's treasure room. He murders his superiors, declaring that HYDRA has outgrown Hitler and will pursue its own path to world domination. Back in Brooklyn, Erskine reveals his past: he was forced to give Schmidt an imperfect version of his Super-Soldier Serum, which granted him strength but warped his body and mind. He explains that the serum amplifies what is already inside a person: “Good becomes great. Bad becomes worse.” Steve is chosen for the procedure. Infused with the perfected serum and bombarded with “Vita-Rays,” Steve emerges taller, stronger, and at the peak of human potential. Tragically, a HYDRA assassin, sent by Schmidt, murders Erskine and destroys the last of the serum before escaping. With Erskine dead, the secret to creating more super-soldiers is lost, leaving Steve as the sole success of Project: Rebirth.
Instead of being sent to the front lines, the U.S. government uses Steve as a propaganda tool. Donning a colorful costume and dubbed “Captain America,” he travels the country in a USO show, starring in films and selling war bonds. While on tour in Italy, he learns that Bucky's unit, the 107th, has been captured by HYDRA. Defying orders, Steve, with the help of Peggy Carter and Howard Stark (Tony Stark's father), flies behind enemy lines. He single-handedly infiltrates the HYDRA weapons facility where the 107th is being held by Arnim Zola, Schmidt's lead scientist. He frees Bucky and hundreds of other Allied prisoners. During the escape, he comes face-to-face with Schmidt, who reveals his true face—a grotesque Red Skull, the result of Erskine's flawed serum. The HYDRA facility self-destructs, but Steve and the freed soldiers return to the Allied base as heroes. Emboldened, Steve recruits Bucky and a handful of the rescued soldiers—Dum Dum Dugan, Gabe Jones, Jim Morita, James Montgomery Falsworth, and Jacques Dernier—to form an elite unit. Armed with a new tactical uniform and a shield made of pure, indestructible vibranium from Howard Stark, Captain America and his “Howling Commandos” launch a montage of successful raids on HYDRA bases across Europe, systematically dismantling Schmidt's operations.
During an operation to capture Arnim Zola on a speeding HYDRA train, Bucky is blasted from the side of the carriage and plummets into an icy ravine below, seemingly to his death. The loss devastates Steve, but Zola's capture provides the location of the Red Skull's final, heavily fortified base in the Alps. Steve leads a massive assault on the base. Inside, he confronts the Red Skull, who is preparing to launch the Valkyrie, a massive, Tesseract-powered flying wing armed with bombs capable of destroying major American cities. The two engage in a final battle aboard the departing aircraft. During the fight, the housing for the Tesseract is damaged. When the Red Skull physically grabs the cube, its raw power overwhelms him, opening a wormhole that engulfs and transports him across space. The Tesseract then burns through the floor of the plane and falls into the Arctic Ocean. With the plane still armed and on a direct course for New York, Steve realizes he has no choice but to ditch it in the Arctic. He makes a final, heartbreaking radio call to Peggy, promising her a dance, before crashing the plane into the ice. Howard Stark later recovers the Tesseract from the ocean floor but is unable to locate the Valkyrie or Steve, who is presumed dead and hailed as a national hero. The film concludes with Steve abruptly waking up in a 1940s-style hospital room. Realizing a baseball game on the radio is one he already attended, he grows suspicious and breaks out into modern-day Times Square. He is confronted by Nick Fury, director of S.H.I.E.L.D., who gently informs him that he has been asleep… for nearly 70 years.
Captain America: The First Avenger is deeply reverent to its source material, drawing heavily from the Golden Age comics of Joe Simon and Jack Kirby, as well as modern retellings like Adventures of Captain America and Ed Brubaker's seminal run.
As the fifth film in Phase One, it is laden with connections that build the universe and set up future storylines.
Captain America: The First Avenger was released on July 22, 2011, and was a critical and commercial success. It grossed over $370 million worldwide. Critics praised the film's earnest, old-fashioned adventure tone, Joe Johnston's confident direction, and the period setting. Chris Evans's performance was singled out for its warmth and sincerity, with many noting he perfectly embodied Steve Rogers's kindness and inner strength. Hugo Weaving was also lauded for his menacing turn as the Red Skull. The film's first act, focusing on “Skinny Steve,” was particularly celebrated for its heartfelt character work and groundbreaking visual effects. It holds a strong “Certified Fresh” rating on Rotten Tomatoes and is considered by many fans to be one of the strongest origin story films in the MCU.
The film's legacy within the MCU is immense. It proved that Marvel Studios could successfully execute a period piece, expanding the genre possibilities within its shared universe. More importantly, it established Captain America not just as a powerhouse, but as the moral and spiritual leader of the future Avengers. The character arc established here—of a man out of time, clinging to an unwavering moral code—would become the central pillar of the entire Infinity Saga, culminating in his leadership against Thanos. Furthermore, the introduction of the deep-seated conflict between HYDRA and the SSR/S.H.I.E.L.D. provided the narrative fuel for some of the MCU's most acclaimed stories, including Captain America: The Winter Soldier and the Agents of S.H.I.E.L.D. television series. The film's heartfelt romance between Steve and Peggy became one of the MCU's most iconic love stories, receiving a deeply satisfying conclusion in Avengers: Endgame.