Table of Contents

Monarch

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

The character of Nathaniel Richards was first introduced in Fantastic Four #272, published in November 1984. He was created by the legendary writer and artist John Byrne during his celebrated run on the title. Byrne's goal was to flesh out the mysterious backstory of Reed Richards, providing a complex and tragic family history that would add new layers to Mister Fantastic's character. Nathaniel was conceived as a brilliant scientist and inventor, much like his son, but one whose ambition and personal choices led him down a much darker and more solitary path through time itself. The specific “Monarch” persona, complete with its distinctive golden armor and tyrannical ambitions, came later. This evolution transformed Nathaniel from a tragic, absentee father into a formidable, proactive antagonist. This shift allowed writers to use him as a direct physical and ideological opponent for the Fantastic Four, rather than just a figure from Reed's past. This persona emphasizes his belief in absolute control and his rejection of the “lesser” world his son chose to protect, providing a powerful father-son conflict that resonates with classic archetypal themes.

In-Universe Origin Story

The origin of Monarch is deeply intertwined with the paradoxes of time travel and the complex lineage of the Richards family. The narrative differs significantly between the prime comic continuity and its adaptation in the Marvel Cinematic Universe.

Earth-616 (Prime Comic Universe)

Nathaniel Richards was a brilliant scientist from Earth-6311, a peaceful, technologically advanced alternate future. Driven by an insatiable curiosity and a desire to escape his stagnant society, he invented a functioning time machine. His initial travels were those of an explorer, but a critical miscalculation stranded him in the modern era of Earth-616, the prime Marvel Universe. During this time, he fathered a child who would grow up to be his famous ancestor, Reed Richards, creating a complex bootstrap paradox at the heart of his family tree. After a period on Earth-616, during which he had encounters with a young Victor von Doom and even Doctor Strange, Nathaniel attempted to return to his own time. However, his journey went awry. Instead of his peaceful utopia, he was shunted into the far-flung, war-ravaged future of a different divergent Earth. This world was a dystopia, shattered by centuries of conflict. Stranded and horrified by the chaos, Nathaniel's perspective fundamentally shifted. He concluded that freedom and free will were the root causes of suffering and that only absolute, enlightened rule could bring lasting peace. Using his superior intellect and knowledge of advanced technology, he single-handedly ended the world's wars. He conquered the planet, uniting its factions under his iron-fisted rule. He built a powerful suit of golden armor, a symbol of his authority and power, and declared himself Monarch. From his Citadel, he ruled for decades, building a vast empire and an army loyal only to him. His goal evolved from simply ruling one world to a grander ambition: to use his resources to return to Earth-616 and force his son, Reed, to see the “error” of his ways. He viewed Reed's life as a scientist and hero as a squandering of his potential, believing that together, they could rule and perfect the universe. This paternalistic, messianic conviction became the driving force behind his actions as Monarch, setting him on a collision course with the Fantastic Four and the very principles of heroism his son championed.

Marvel Cinematic Universe (MCU)

In the vast continuity of the MCU, the specific title and armored persona of “Monarch” do not exist. However, the foundational character of Nathaniel Richards is central to the MCU's “Multiverse Saga,” introduced in the Disney+ series Loki and further explored in the film Ant-Man and the Wasp: Quantumania. The MCU's Nathaniel Richards is presented as a brilliant scientist from the 31st century who discovered the existence of the multiverse. This groundbreaking discovery was not his alone; infinite variants of himself across infinite timelines made the same discovery simultaneously. While initial contact between these variants was peaceful, some versions—driven by a desire for conquest—initiated a catastrophic Multiversal War. Each variant, possessing genius-level intellect and advanced technology, sought to destroy all other timelines to preserve their own. One specific variant of Nathaniel Richards, later known as He Who Remains, discovered a creature named Alioth, capable of consuming space and time. He weaponized Alioth to end the war by consuming the timelines of his warlike variants. To prevent another war from ever breaking out, he established the Time Variance Authority (TVA). He isolated a cluster of realities into a single, manageable flow of time, which he dubbed the “Sacred Timeline.” For eons, he hid at the Citadel at the End of Time, secretly managing the flow of time and “pruning” any branching realities that could lead to the re-emergence of his dangerous variants. His origin is not one of conquering a single war-torn planet, but of ending an infinite, multiversal conflict and imposing a rigid, absolute order on the entire cosmos to prevent its recurrence. When he is killed by Sylvie, the Sacred Timeline fractures, allowing his variants—led by the formidable Kang the Conqueror—to re-emerge and threaten the multiverse once more. Thus, while the MCU lacks the “Monarch” identity, it elevates the core character of Nathaniel Richards to a figure of cosmic, multiversal importance, whose actions and legacy define an entire era of the cinematic universe.

Part 3: Abilities, Equipment & Personality

The capabilities and demeanor of Nathaniel Richards vary between his comic and screen appearances, but his core traits of supreme intellect and technological mastery remain constant.

Earth-616 (Prime Comic Universe)

As Monarch, Nathaniel Richards possesses no inherent superhuman abilities. His power is derived entirely from his intellect and the technology he has created or mastered.

Monarch is defined by his profound arrogance and a messianic complex. He genuinely believes that he alone knows what is best for the universe and sees anyone who opposes him, including his own son, as naive and short-sighted. There is a core of tragedy to him; his actions are rooted in a twisted love for Reed and a desire to see him achieve what Nathaniel considers his true potential—that of a ruler, not a mere hero. He is cold, calculating, and utterly ruthless, willing to sacrifice entire worlds or timelines to achieve his vision of perfect, unyielding order.

Marvel Cinematic Universe (MCU)

The MCU's Nathaniel Richards and his variants demonstrate a similar, if not greater, level of technological prowess, though focused on a multiversal scale.

The MCU showcases the personality of two key variants. He Who Remains is weary, eccentric, and lonely. After eons of managing the timeline, he has become detached and almost playful in his omniscience, viewing his monumental task as a tiresome burden. He presents Loki and Sylvie with a choice not out of malice, but out of exhaustion. In stark contrast, Kang the Conqueror is arrogant, imperious, and cruel. He is a warrior and a builder of empires who sees time not as something to be managed, but as something to be conquered. He views other beings as insignificant and is driven by a relentless will to dominate all of reality. Both share the core Nathaniel Richards trait of supreme confidence in their own intellect and vision.

Part 4: Key Relationships & Network

Monarch's existence is defined by his contentious relationships, primarily the deep and bitter conflicts with his own family and his intellectual peers.

Core Allies

Nathaniel Richards is a solitary figure who rarely forms true partnerships, preferring to command subordinates.

Arch-Enemies

Affiliations

Monarch's primary affiliation is with the empire he forged. However, his unique position in the timestream connects him to other, more significant groups.

Part 5: Iconic Events & Storylines

Monarch's appearances are often pivotal, serving to challenge Reed Richards on a deeply personal level and introduce high-stakes, time-bending threats.

Fantastic Four: Unthinkable (Prelude)

In the lead-up to Mark Waid and Mike Wieringo's seminal “Unthinkable” storyline (specifically in Fantastic Four vol. 3 #67-70), Doctor Doom makes a Faustian bargain for magical power. To test his new abilities, he targets his oldest rival, Reed Richards, by attacking what matters most to him. Doom summons Monarch from his timeline, knowing the emotional and intellectual turmoil this would inflict on Reed. Monarch's arrival is a devastating personal blow, forcing Reed to confront his father not as a historical figure, but as a living, breathing antagonist with a formidable army. This arc re-established Nathaniel as a major threat and set the stage for future conflicts, highlighting how villains like Doom could use Reed's own family as a weapon against him.

The "Imagine" Storyline (FF by Jonathan Hickman)

During Jonathan Hickman's expansive run on Fantastic Four and FF, Nathaniel Richards plays a crucial, morally ambiguous role. He returns from the future with dire warnings about the multiversal threats facing Earth and offers his assistance. He acts as a mentor to the children of the Future Foundation, particularly his own grandchildren, Franklin and Valeria Richards. Here, Monarch is portrayed less as a straightforward villain and more as a pragmatic, ruthless strategist willing to make impossible choices for the “greater good.” He helps Reed re-establish the Council of Reeds and battles the Mad Celestials. His defining moment is his plan to deal with a corrupted, insane Reed Richards from another reality, showcasing his cold logic and willingness to do what his son cannot. This storyline added immense depth to his character, positioning him as an anti-hero whose methods are horrific but whose warnings are often correct.

The Quiet War with Doctor Doom

Throughout his history, Nathaniel has been locked in a “quiet war” with Doctor Doom that spans millennia. Their conflict isn't always fought with armies and energy blasts, but through subtle manipulations of the timeline. Each tries to outmaneuver the other, altering history to gain an advantage, locking each other in time loops, or stranding one another in hostile eras. This ongoing temporal chess match is one of Marvel's most high-concept rivalries. It underscores their intellectual parity and their shared arrogance, as they use all of creation as their personal game board, with little regard for the collateral damage to the timeline.

Part 6: Variants and Alternative Versions

The very nature of Nathaniel Richards means he is defined by his variants. He is a nexus being whose decisions create countless divergent timelines, each with its own version of himself.

See Also

Notes and Trivia

1) 2) 3) 4) 5) 6)

1)
Nathaniel Richards' first appearance was in Fantastic Four #272 (1984), created by John Byrne.
2)
The complex relationship between Nathaniel, Kang, and Immortus has been the subject of numerous retcons. Originally presented as separate individuals, Kurt Busiek's epic Avengers Forever maxi-series firmly established them as divergent versions of the same man at different points in his personal timeline.
3)
The bootstrap paradox of Nathaniel being both an ancestor and a descendant of Reed Richards is a central, and intentionally confusing, aspect of his character, highlighting the mind-bending nature of time travel in the Marvel Universe.
4)
The visual design of Monarch's golden armor bears a deliberate resemblance to Doctor Doom's, visually reinforcing their status as intellectual rivals and armored tyrants.
5)
In the MCU, the Council of Kangs, seen in the post-credits scene of Ant-Man and the Wasp: Quantumania, is a direct visual adaptation of the comic book concept of Nathaniel Richards' many variants, including clear homages to Immortus and the Scarlet Centurion.
6)
The name “Monarch” itself is a powerful signifier of his core belief system: the rejection of democracy and freedom in favor of a single, absolute ruler—himself.