The concept of a supreme, monotheistic “God” in the Marvel Universe evolved gradually over decades. Early stories often used ambiguous terms like “the Creator” or “the Master,” leaving the ultimate power undefined. For many years, cosmic entities like Eternity or the Living Tribunal were presented as the highest authorities.
The first explicit appearance of a being identified as the ultimate creator is widely considered to be in Doctor Strange, Sorcerer Supreme
#13 (January 1990), written by Roy Thomas and Dann Thomas with art by Jackson Guice. In this story, Doctor Strange has a near-death experience and meets a being of pure light who identifies itself as the creator of Eternity and, by extension, the universe.
However, the most iconic and defining appearance occurred in Fantastic Four
#511 (May 2004), written by Mark Waid with art by the late, great Mike Wieringo. In this poignant story, the Fantastic Four journey to what they believe is Heaven to retrieve the soul of the recently deceased Ben Grimm, The Thing. There, they meet a being who takes the form of a humble artist at a drawing board: a clear and deliberate homage to the legendary Jack Kirby, co-creator of the Fantastic Four and much of the Marvel Universe. This entity confirms he is the prime mover of all existence, solidifying the meta-textual idea that the ultimate power in Marvel is, in a sense, its own real-world creators.
Subsequent appearances have reinforced this status, often depicting The One-Above-All as a being of immense compassion and wisdom, existing beyond the comprehension of even the most powerful cosmic entities. Its identity remains shrouded in mystery, with its avatars and manifestations being the only way mortals can perceive it.
The One-Above-All is unique among all beings in that it has no origin story. It did not come into being; it has always been. As the uncreated creator, it is the alpha and omega, the source from which all realities, concepts, and beings spring forth. Its “origin” is the origin of everything else.
In the Prime Comic Universe, the nature of The One-Above-All has been revealed through its rare but profound interactions with other characters. It is not a being that partakes in cosmic wars or grand schemes; its existence is a fundamental truth of reality.
Its most significant “origin” in terms of narrative function is its relationship with its dark antithesis, The One Below All, a concept explored in-depth in Al Ewing's seminal run on The Immortal Hulk
. This storyline revealed that The One-Above-All, as the source of all that is good, creative, and loving, has a dark, destructive reflection. The One Below All is the source of gamma radiation's mutative, destructive power and the entity that rules the “Below-Place,” the deepest layer of Hell. It is posited that one cannot exist without the other; The One-Above-All is the hand that builds, and The One Below All is the hand that breaks. This duality provides a crucial in-universe explanation for the simultaneous existence of ultimate good and ultimate evil, both stemming from the same supreme source.
Its key interactions have served to define its character:
One More Day
storyline, a spiritually broken Peter Parker contemplates his life. The One-Above-All appears to him as a homeless man, reassuring him that his selfless sacrifices have immense value and that great faith is necessary to endure great suffering. This appearance highlighted its role as a source of comfort and divine grace.Infinity Finale
graphic novel, a cosmically-empowered Thanos absorbs the entire multiverse and confronts The One-Above-All. The entity convinces Thanos that his nihilistic quest is ultimately self-defeating and that his true purpose is to be an instrument of cosmic balance, not its destroyer. In a rare act of direct intervention, it works with Thanos to restore all of reality, demonstrating its ultimate authority over all existence.Within the continuity of the Marvel Cinematic Universe (Earth-199999), The One-Above-All does not exist. It has never been named, referenced, or alluded to in any film, television series, or supplementary material. The cosmic hierarchy of the MCU is structured very differently from the comics. The highest powers depicted so far are the great cosmic entities and forces:
Thor: Love and Thunder
, Eternity is a cosmic entity at the center of the universe that can grant any wish to the first being who reaches it. While immensely powerful and seemingly a fundamental aspect of reality, it is portrayed as a passive force rather than a conscious, supreme creator.Loki
series, He Who Remains established the TVA to manage the “Sacred Timeline” and prevent multiversal war. While he held god-like power over the flow of time, he was ultimately just a mortal man (a variant of Kang the Conqueror) who had mastered science far beyond anyone else. His power was technological, not divine, and limited to a single timeline cluster.The MCU deliberately avoids the concept of a singular, monotheistic God. This is likely a creative choice to:
Therefore, any discussion of The One-Above-All in the MCU is purely theoretical, exploring where such a being would fit into the established cosmic order, likely above even the Celestials and Eternity.
The One-Above-All's attributes are, by definition, absolute and without limit. It is not merely powerful; it is the source of the very concept of power.
Secret Wars
event, it was because The One-Above-All allowed it to happen as part of a larger cosmic cycle.Because its true form is incomprehensible to mortal minds, The One-Above-All interacts with creation through various avatars.
As this entity does not exist in the MCU, it has no powers or manifestations. However, we can analyze the conceptual space it would occupy. If the MCU were to introduce a supreme being, its powers would have to be established as qualitatively superior to anything seen before. It would need to be:
A potential MCU introduction would likely be as a 'deus ex machina' to resolve a threat of truly omniversal scale, perhaps a threat greater than even a multiversal Kang army or a rogue Beyonder. It would likely appear in a form that is meta-textual, similar to the Jack Kirby avatar, perhaps as a representation of Stan Lee or an unnamed, benevolent creator figure, to honor the franchise's real-world origins without delving into complex theology.
Even for a being that is effectively alone at the top, The One-Above-All has defined relationships that structure the cosmic hierarchy.
The most critical relationship is between The One-Above-All and the Living Tribunal. The Tribunal is a nigh-omnipotent cosmic being whose sole function is to safeguard the Multiverse from an imbalance of mystical forces. It acts as the supreme judge, with the authority to pass sentence on entire universes. However, the Tribunal is explicitly a servant. It carries out the will of its unseen master, The One-Above-All. This hierarchy was confirmed when the Tribunal told Doctor Strange that it was but a “mere servant” of a higher power. The One-Above-All is the legislature that creates cosmic law; the Living Tribunal is the judiciary that enforces it. This prevents The One-Above-All from needing to engage in the day-to-day management of the cosmos, delegating that monumental task to its most powerful subordinate.
Introduced in The Immortal Hulk
, The One Below All is the cosmic entity that serves as the polar opposite to The One-Above-All. It is the source of destruction, rage, and entropy. While The One-Above-All is associated with the creative “metaphorical” Heaven, The One Below All rules the deepest layer of Hell.
The relationship is one of perfect, terrible symmetry. They are two sides of the same coin:
Al Ewing's run strongly implies that The One-Above-All is The One Below All, or rather, that they are two aspects of the same supreme being, representing the duality inherent in all of creation. This complex, paradoxical relationship adds immense philosophical depth to Marvel's cosmology.
The One-Above-All does not have “allies” in the traditional sense. All beings are its creations. However, it has shown special interest in certain mortals who embody the universe's greatest potential for heroism and compassion.
The One-Above-All's appearances are rare and always momentous, serving as the capstone to deeply philosophical or cosmically grand storylines.
In this story by Mark Waid and Mike Wieringo, Ben Grimm is killed in action. A devastated Reed Richards uses a machine of his own design to breach the walls of reality and journey into the afterlife itself. After passing through surreal landscapes and overcoming cosmic guardians, the team arrives in a simple office where a man is busy at a drawing board. This man, an avatar of Jack Kirby, reveals himself to be God. He engages the team in a heartfelt conversation, explaining the nature of creation, heroism, and his love for them. He ultimately resurrects Ben Grimm, not because Reed's science forced his hand, but because it was the right thing to do. This story is considered one of the most touching and meta-textually brilliant in Marvel history, cementing The One-Above-All's benevolent, creator-god nature.
This is a supplemental story to the “One Moment in Time” arc, which itself was an epilogue to the controversial “One More Day” event where Peter Parker made a deal with Mephisto to save Aunt May's life in exchange for his marriage to Mary Jane Watson. In the aftermath, a deeply tormented and spiritually lost Peter is visited by an avatar of The One-Above-All, disguised as a homeless man. The being doesn't offer easy answers or reverse the deal. Instead, it listens to Peter and offers simple, profound wisdom: that a life of sacrifice has inherent meaning and that faith is most important when it is most difficult to have. It's a quiet, character-focused moment that defines The One-Above-All's role as a source of divine comfort.
Written and drawn by Jim Starlin, this graphic novel sees Thanos, with the help of his future self, manage to absorb the power of the Heart of the Universe, making him omnipotent and one with all of reality. He un-makes and re-makes existence, but is left feeling empty. He is then confronted by The One-Above-All and Adam Warlock, who has also achieved a higher state of being. The One-Above-All doesn't fight Thanos; it reasons with him. It shows him the flaw in his nihilistic logic and convinces him to restore the universe to its previous state. In doing so, it demonstrates that its power is not merely physical but also philosophical and moral. It restores the cosmic order by appealing to reason and purpose, not through a brawl of cosmic proportions.
By its very definition as the supreme being of the Omniverse (the collection of all multiverses), The One-Above-All has no variants. It is a singular entity that exists above and outside of all alternate realities. A “variant” of The One-Above-All is a logical impossibility, as it is the absolute, singular source of all things. However, the concept can be explored in a few ways:
Fantastic Four
Vol. 1, #511. Written by Mark Waid, Art by Mike Wieringo.The Immortal Hulk
comic series (2018-2021), written by Al Ewing.Infinity Finale
(2016), written and art by Jim Starlin.Eternals
(2021) did establish the Celestials as universe-creators, which was the highest level of creation seen on-screen until Eternity's appearance in Thor: Love and Thunder
(2022).