Table of Contents

Thor: Ragnarok - The Asgardian Apocalypse

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

The concept of Ragnarok in Marvel Comics is directly inspired by the Norse mythological event of the same name (Ragnarök), the “Twilight of the Gods.” Co-creators stan_lee and jack_kirby began weaving elements of this prophecy into their Thor stories as early as the Silver Age. The first major, direct confrontation with the prophecy occurred in Thor #127-128 (1966), where Thor battles the “Prophecy of Ragnarok” itself. However, the definitive, cycle-ending Ragnarok storyline that has defined the modern era was crafted by writer Michael Avon Oeming and artist Andrea Di Vito in Thor (Vol. 2) #80-85 (2004). This arc, titled “Ragnarok,” served as a powerful conclusion to the long-running volume and had a profound, lasting impact on the Asgardian corner of the Marvel Universe. For the Marvel Cinematic Universe, the concept was adapted into the 2017 film Thor: Ragnarok, directed by Taika Waititi. The film radically departed from the somber, epic tone of the comic storyline, instead infusing the apocalyptic plot with vibrant, Kirby-inspired visuals and a signature brand of irreverent comedy. Waititi, along with screenwriters Eric Pearson, Craig Kyle, and Christopher L. Yost, cherry-picked elements from various comic storylines, most notably “Ragnarok” and Greg Pak's “planet_hulk”, to create a unique narrative that served as a soft reboot for the character of Thor, freeing him from the weighty Shakespearean drama of his previous films and establishing a new, more adventurous status quo.

In-Universe Origin Story

The origin and nature of Ragnarok differ profoundly between the two primary Marvel continuities. One is a cosmic conspiracy of endless suffering, while the other is a historical inevitability twisted into a tool of liberation.

Earth-616 (Prime Comic Universe)

In the prime Marvel comics timeline, Ragnarok is not a singular event but a vicious, repeating cycle of death and rebirth. For millennia, the Asgardians have been trapped in this loop without their knowledge. The cycle begins, thrives, and culminates in a massive, preordained battle where gods like Thor, odin, and loki play their destined parts, fighting and dying against cosmic foes like the fire giant surtur, the Midgard Serpent Jormungand, and the Fenris Wolf. After Asgard falls, the entire realm and its people are mysteriously reborn, with only faint, dream-like memories of their past lives, destined to repeat the same grand tragedy over and over again. This cycle was not natural. It was revealed to be a cosmic “farm” engineered by god-like celestial beings known as “Those Who Sit Above in Shadow.” These beings, also called the “Asgardian Gods' Gods,” fed on the potent energies released during each Ragnarok. They orchestrated the entire cycle to create a perpetual source of sustenance for themselves. Odin, at some point, became aware of this manipulation. His often-tyrannical behavior, his constant secrecy, and his relentless drive to make Thor stronger were all part of a desperate, long-game strategy to prepare his son for the day he would have to not just survive Ragnarok, but completely break it. The Odinforce, the vast cosmic power wielded by Asgard's ruler, was in fact a tool created from the energies of Odin's brothers, Vili and Ve, to fight this cyclical destiny. Thor's eventual inheritance of this power was the key to finally ending the cosmic slavery of his people.

Marvel Cinematic Universe (MCU)

In the MCU, Ragnarok is a specific, linear prophecy foretelling the complete destruction of Asgard at the hands of the fire demon Surtur. It is not a repeating cycle. The prophecy was recorded in ancient murals, which Odin later had painted over in an attempt to hide a dark and violent past. This history involved his firstborn child, Hela, the Goddess of Death. Long before Thor or Loki were born, Odin and Hela led Asgard on a brutal campaign of cosmic conquest, subjugating the Nine Realms and building the Asgardian empire on a foundation of blood and gold. Hela's ambition and bloodlust grew beyond even Odin's control. Realizing his error, Odin turned towards a philosophy of peace and benevolence, but Hela refused. This led to a catastrophic war between them, which ended with Odin defeating and imprisoning her in a pocket dimension, her prison powered by his own life force. He then systematically erased her from all official Asgardian history. The prophecy of Ragnarok was, therefore, inextricably linked to Hela's return. Upon Odin's death on Earth, Hela's prison shattered. She instantly returned, shattered mjolnir with her bare hands, and cast Thor and Loki out into space. Arriving in Asgard, she reclaimed the throne, revealing herself to the populace and resurrecting her ancient army, including her giant wolf companion, Fenris. Her power was derived directly from the physical realm of Asgard itself; the longer she was there, the more powerful she became. This created an impossible dilemma: to defeat Hela, Thor realized he couldn't save Asgard. He had to destroy it. Ragnarok was no longer just a prophecy to be averted; it became the only viable weapon to stop his sister.

Part 3: Timeline, Key Turning Points & Aftermath

The execution and consequences of Ragnarok serve as a major dividing line between the comics and the films, illustrating different thematic goals.

Earth-616 (Prime Comic Universe)

The final Ragnarok cycle, as orchestrated by Thor, was a meticulously planned tragedy designed to achieve a true, final death and break free from cosmic puppeteers.

Marvel Cinematic Universe (MCU)

The MCU's Ragnarok is a frantic, desperate, and ultimately successful gambit played out in the final act of the film.

Part 4: Key Characters & Factions

While the names are often the same, the roles and motivations of the key players in Ragnarok are tailored to the distinct narratives of the comics and the MCU.

The Asgardian Royal Family

The Agents of Destruction

The Unlikely Saviors (MCU Focus)

Part 5: The Legacy of Ragnarok: Lasting Consequences

Ragnarok is not just an ending; it is a fundamental redefinition of what it means to be Asgardian in the Marvel Universe.

Earth-616: The Dawn of a New Asgard

The breaking of the Ragnarok cycle was one of the most significant events in the history of Marvel's Asgard. It elevated the Asgardians from mythological figures trapped in a loop to a people with free will and a real future. The relocation of their home to float above Oklahoma dramatically changed their relationship with humanity. They were no longer distant gods, but neighbors and, in the eyes of some like Norman Osborn, a sovereign nation of super-beings on American soil. This proximity led directly to the Siege of Asgard, a devastating conflict that saw the shining city destroyed once again, this time by mortal hands. The legacy of Ragnarok in the comics is one of liberation at a terrible cost, forcing Asgard to confront a new, more unpredictable existence in the mortal world.

MCU: The End of a Realm, The Start of a People

The legacy of Ragnarok in the MCU is summed up in Odin's final words: “Asgard is not a place. It's a people.” This thematic core reshaped the entire Thor franchise. The destruction of the physical realm untethered Thor from his royal obligations in a palace and turned him into a leader of a displaced tribe. This new vulnerability is what made them such an easy target for Thanos at the start of Infinity War, an event that pushed Thor to his lowest point. The subsequent founding of New Asgard in Norway provided a bittersweet resolution. The Asgardians survived, but their golden age is over. They are now a small, quiet community, integrated with Earth. This transformation allowed Thor to pass the mantle of leadership to Valkyrie and embark on a journey of self-discovery, a path that would have been impossible for the prince of a celestial kingdom. Ragnarok was the traumatic, necessary event that allowed Thor and his people to finally grow beyond their ancient traditions.

Part 6: Variants and Alternative Versions

The concept of Asgard's final day has been interpreted in several other realities, often with significant deviations.

Ultimate Marvel (Earth-1610)

In the Ultimates 2 storyline by Mark Millar and Bryan Hitch, “Ragnarok” takes on a far more cynical and technological meaning. Loki, portrayed as a malevolent reality-warper, convinces the world that Thor is not a god, but a mentally unstable former nurse who stole advanced European super-soldier technology. “Ragnarok” is presented as the final battle where Loki leads an army of “liberators”—composed of Axis soldiers and mythological creatures from various nations—against the Ultimates in Washington D.C. The climax sees Thor summon a true Asgardian army to defeat Loki, proving his divinity. This version uses the “idea” of Ragnarok as a tool of deception and geopolitical warfare rather than a mythological prophecy.

Norse Mythology (The Original Source)

It is important to understand the source material Marvel adapted. In the historical Poetic Edda, Ragnarök is a prophesied series of future events, including a great battle, the death of numerous gods (including Odin, Thor, Týr, Freyr, Heimdallr, and Loki), the occurrence of various natural disasters, and the subsequent submersion of the world in water. Afterward, the world will resurface anew and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors. Marvel's comic version borrows heavily from this, particularly the key matchups (Thor vs. Jormungandr, Odin vs. Fenrir), but adds the unique twist of it being a repeating, artificial cycle.

//What If... Thor Were an Only Child?// (MCU - Earth-72124)

Featured in the animated What If…? series on Disney+, this reality explores a timeline where Odin never adopted Loki. Without his mischievous brother to temper his arrogance, Thor grows up to be “Party Thor,” an intergalactic frat boy. When he throws an out-of-control, world-ending party on Earth, captain_marvel is called in to stop him. The ensuing battle threatens global destruction, a different kind of “Ragnarok” caused not by prophecy but by Thor's unchecked immaturity.

See Also

Notes and Trivia

1) 2) 3) 4) 5) 6) 7)

1)
The MCU film Thor: Ragnarok is famous for its use of Led Zeppelin's “Immigrant Song,” a track that lead actor Chris Hemsworth had suggested since the first Thor film due to its overt Norse mythology references.
2)
Director Taika Waititi has a cameo in the film as the voice and motion capture performer for Korg, the rock-like Kronan gladiator Thor befriends on Sakaar.
3)
In the comics, the character of Ragnarok is also the name of a villainous cyborg clone of Thor, created by Reed Richards and Tony Stark during the original Civil War storyline. This clone has no connection to the Asgardian apocalypse event.
4)
The visual design of the MCU film, particularly the planet Sakaar, was heavily influenced by the art style of Marvel's legendary co-creator, Jack Kirby, known for his bold lines, vibrant colors, and unique geometric patterns known as “Kirby Krackle.”
5)
The comic book storyline that ends the Ragnarok cycle was part of a wider Marvel event called “Avengers Disassembled,” which saw major upheavals for several flagship teams and characters, including the dissolution of the Avengers and the death of Hawkeye.
6)
The plot point of Thor losing an eye in the MCU's Ragnarok is a direct homage to the comics, where Thor plucks out both eyes in his quest for Rune Magic and ultimate wisdom. It also mirrors Odin, who sacrificed an eye at the Well of Mimir for cosmic knowledge.
7)
The play seen in Asgard at the beginning of the film, “The Tragedy of Loki,” features cameo appearances by Matt Damon as the actor playing Loki, Luke Hemsworth (Chris Hemsworth's brother) as the actor playing Thor, and Sam Neill as the actor playing Odin.