Table of Contents

Sons of the Serpent

Part 1: The Dossier: An At-a-Glance Summary

Part 2: Origin and Evolution

Publication History and Creation

The Sons of the Serpent first appeared in The Avengers #32 (September 1966). They were co-created by writer Stan Lee and artist Dick Ayers. Their creation was a direct product of the tumultuous socio-political landscape of the mid-1960s United States. The era was defined by the Civil Rights Movement, heated debates over immigration, and widespread social change, which also gave rise to reactionary and extremist counter-movements. Lee and Ayers conceived of the Sons of the Serpent as a clear allegory for real-world hate groups like the Ku Klux Klan. By dressing them in theatrical, cult-like costumes and giving them a populist, anti-foreigner rhetoric, the creators crafted a villainous organization that allowed Marvel Comics to comment on contemporary social issues. Captain America's immediate and visceral opposition to the group in his first encounter with them solidified his role as a champion of inclusivity and the American ideal, in direct contrast to the Serpents' perversion of patriotism. Their snake motif was intentionally evocative, playing on ancient symbols of deceit, poison, and hidden danger, perfectly encapsulating their insidious nature.

In-Universe Origin Story

The history of the Sons of the Serpent is marked by multiple incarnations, each led by different figures but all unified by the same core ideology of hate. The organization operates like a virus, seemingly eradicated only to resurface later, often with new funding and a new “Supreme Serpent” at its head.

Earth-616 (Prime Comic Universe)

The in-universe origin of the Sons of the Serpent is a tale of manipulation and manufactured hate. The organization did not arise organically but was founded and funded by an external actor seeking to destabilize the United States by exploiting its internal social fractures. The First Incarnation: The original group was secretly organized and financed by General Chen, a military leader from an unnamed Asiatic communist nation.1) Chen's goal was to sow discord and chaos within America by fueling anti-immigrant sentiment. He created the Sons of the Serpent as a public-facing movement, preying on the fears of disgruntled and prejudiced citizens. He appointed a racist television commentator, Dan Dunn, to be the group's charismatic public leader, the first Supreme Serpent. The Serpents staged public rallies, blaming foreigners and minorities for the nation's problems. They quickly escalated from propaganda to violence, targeting anyone they deemed “un-American.” Their activities drew the attention of the Avengers, particularly Captain America, who was disgusted by their message. The heroes infiltrated the group and exposed Dunn as a fraud and Chen as the foreign puppet master. The organization was publicly disgraced and disbanded. Subsequent Incarnations: Despite this initial defeat, the Serpent ideology proved resilient.

Marvel Cinematic Universe (MCU)

To date, the Sons of the Serpent do not exist within the Marvel Cinematic Universe (Earth-199999). There has been no mention of the group, its iconography, or any of its known leaders in any MCU film or television series. However, the thematic space they occupy—that of an ideologically motivated, American-based extremist group—has been explored through other antagonists. The MCU has chosen to create new organizations or adapt different ones to explore similar concepts, likely to avoid the direct and potentially controversial allegories of the comic book source material. Thematic Analogues:

The absence of the Sons of the Serpent in the MCU is likely a deliberate creative choice, preferring to craft new threats that are more specifically tailored to the MCU's overarching narrative and less directly tied to the specific social allegories of 1960s America.

Part 3: Ideology, Structure & Methodology

The Sons of the Serpent's effectiveness as villains stems from their disturbingly realistic and insidious nature. They are not conquerors from space or wizards from another dimension; they are a reflection of real-world hatred, organized and weaponized.

Earth-616 (Prime Comic Universe)

Ideology

The philosophical core of the Sons of the Serpent is a venomous form of American exceptionalism twisted into violent xenophobia and racial supremacy.

Structure

The organization's structure is designed for both public spectacle and covert terror, allowing it to survive repeated defeats.

Methodology

The Serpents employ a two-pronged strategy of public manipulation and clandestine violence.

Marvel Cinematic Universe (MCU)

As the Sons of the Serpent do not exist in the MCU, a direct analysis of their structure and methods is not possible. However, analyzing their thematic analogues reveals how the MCU approaches similar concepts.

Ideology of Thematic Analogues

Structure and Methodology of Thematic Analogues

Part 4: Key Relationships & Network

Core Allies & Benefactors

The Sons of the Serpent are rarely an independent force. Their power and resources almost always trace back to a hidden manipulator using the group's bigotry for their own ends.

Arch-Enemies

The Serpents' hateful ideology places them in direct opposition to many of Marvel's most noble heroes.

Affiliations

The Sons of the Serpent are primarily an independent movement. However, their activities have sometimes aligned them with or put them in the service of larger conspiracies.

Part 5: Iconic Events & Storylines

Over their long history, the Sons of the Serpent have been the antagonists in several key storylines that highlight their vile nature and the heroism of those who oppose them.

The Serpent Strikes (The Avengers #32-33)

This debut storyline established the core template for the Sons of the Serpent. The group appears in New York, holding rallies where their leader, the Supreme Serpent, spouts anti-foreigner rhetoric. Their message finds purchase with some, but their violent actions soon attract the attention of the Avengers. Goliath (Hank Pym) is captured while investigating the group, leading the full team to respond. Captain America, disgusted by their message, leads the charge. The climax reveals the Supreme Serpent is a television personality named Dan Dunn, and the group's real master is the foreign agent General Chen. The Avengers expose the entire conspiracy on live television, humiliating the group and leading to its swift collapse. This story was a powerful, if unsubtle, piece of social commentary for its time.

The Serpent Crown Saga (The Defenders #22-25)

Years later, the Sons of the Serpent returned in a far more menacing form. Led by the millionaire J.C. Pennysworth, this new incarnation was better funded and more widespread. Their goal was to acquire the Serpent Crown, an artifact of immense mystical power created by the Deviant Set. The Serpents believed it was their destiny to use the Crown to forcibly “purify” the nation. This brought them into a massive conflict with the Defenders. The storyline was a sprawling adventure involving Yellowjacket, Valkyrie, and Nighthawk, and it memorably saw the Serpents seize control of the White House. This arc fundamentally changed the group, elevating them from simple thugs to a legitimate mystical threat and tying them into the deeper lore of the Marvel Universe.

The Extremists (Captain America Vol. 3 #28-29)

This modern-era story demonstrated the unfortunate timelessness of the Serpents' ideology. A new cell of the organization emerged, focusing its hatred on immigrants crossing the U.S.-Mexico border. They launched a campaign of terror, attacking and murdering people seeking refuge. Captain America (Steve Rogers) travels to the border to investigate and confronts the group's leader. The story is a raw and grounded look at the human cost of the Serpents' bigotry. It forces Captain America to confront the fact that the hatred he fought in the 1960s is still alive and well, simply wearing a new mask and targeting a new scapegoat.

White Tiger's War (Mighty Avengers Vol. 2 #10)

In a more recent appearance, the Sons of the Serpent targeted the new White Tiger. The group resurfaced in New York, and their racist agenda put them on a collision course with the diverse new Mighty Avengers team led by Luke Cage. The Serpents' attempt to murder White Tiger was a hate crime, plain and simple, and it brought the full force of the street-level, minority-led Avengers team down on them. The story reaffirmed the Serpents' role as vile racists and demonstrated that a new generation of heroes stands ready to fight their brand of evil.

Part 6: Variants and Alternative Versions

Unlike multiversal threats like Kang the Conqueror or cosmic events that ripple through reality, the Sons of the Serpent are a uniquely terrestrial and socio-political phenomenon. As such, they have very few notable variants in alternate realities. Their ideology is so specifically tied to the social and political history of Earth-616's United States that they do not translate easily to other worlds with different histories. The absence of a prominent Ultimate Universe (Earth-1610) version or an Age of Apocalypse counterpart speaks to their nature. They are not a cosmic absolute or a nexus-level threat. They are a manifestation of a specific type of human failing: prejudice, fear, and the search for scapegoats. This makes them more horrifying in a way, as their evil is not alien or magical, but entirely homegrown. The true “variant” of the Sons of the Serpent is not found on another Earth, but in the next real-world hate group that rises to prominence, or the next time their ideology resurfaces within the 616 universe under a new Supreme Serpent.

See Also

Notes and Trivia

2) 3) 4) 5) 6)

1)
As depicted in their first appearance in The Avengers #32-33. The nature of Chen's nation was kept vague, typical of Cold War-era comics, to represent a generic “enemy” power.
2)
The Sons of the Serpent's costumes and rhetoric were heavily influenced by real-world extremist groups, most notably the Ku Klux Klan and the Silver Shirts, a 1930s American fascist organization.
3)
Early appearances of the group were part of Marvel's effort under Stan Lee to make their stories more socially relevant, tackling issues that were often avoided in comics at the time.
4)
The identity of General Chen's nation was never specified, allowing him to be a stand-in for any power perceived as an enemy of the U.S. during the Cold War.
5)
The link between the Sons of the Serpent and the Serpent Crown was a major retcon introduced by writer Steve Gerber in The Defenders. It connected a grounded, political villain to the wider mystical and cosmic lore of Marvel, a hallmark of Gerber's writing style.
6)
Key Reading Chronology: Avengers (1963) #32-33, Defenders (1972) #22-25, Captain America (1998) #28-29, Mighty Avengers (2013) #10.