Venom: Let There Be Carnage

  • In one bolded sentence, the 2021 film Venom: Let There Be Carnage escalates the chaotic relationship between journalist Eddie Brock and his alien symbiote, Venom, by pitting them against their most terrifying and nihilistic comic book nemesis, Carnage.
  • Key Takeaways:
  • A Dark Romantic Comedy: The film leans heavily into the “odd couple” dynamic between Eddie and Venom, framing their codependent, often-contentious relationship as the story's emotional core, blending superhero action with comedic and almost romantic undertones.
  • Carnage Unleashed: The movie serves as the live-action debut of Cletus Kasady's transformation into Carnage, presenting a streamlined origin story that directly ties his creation to Eddie Brock and the Venom symbiote, establishing him as a dark mirror to the film's anti-hero protagonist.
  • Multiversal Bridge: Its mid-credits scene is one of the most significant moments in modern superhero cinema, explicitly transporting Eddie and Venom from Sony's Spider-Man Universe (SSU) into the Marvel Cinematic Universe (MCU), directly setting up events for Spider-Man: No Way Home and fundamentally altering the character's cinematic future.

Following the immense box office success of Venom (2018), a sequel was quickly greenlit by Sony Pictures. While the first film's director, Ruben Fleischer, was unavailable due to his work on Zombieland: Double Tap, the studio sought a new creative voice to guide the burgeoning franchise. In August 2019, celebrated actor and motion-capture pioneer Andy Serkis was announced as the director. Serkis's extensive experience with performance capture (Gollum in The Lord of the Rings, Caesar in Planet of the Apes) was seen as a major asset in bringing the fully-CGI symbiote characters to life with greater nuance and physicality. The screenplay was penned by Kelly Marcel, who also co-wrote the first film, from a story she developed with lead actor Tom Hardy. This collaborative approach highlights Hardy's deep investment in the character of Eddie Brock and his symbiotic other half. The creative mandate was clear: amplify the elements that audiences responded to most positively in the first film—namely, the bizarre and comedic relationship between Eddie and Venom—while introducing a truly formidable and terrifying antagonist. The film's title, Venom: Let There Be Carnage, was a direct and bombastic promise to fans that Woody Harrelson's post-credits cameo as Cletus Kasady in the first movie would pay off in a major way. The production aimed for a tighter, faster-paced narrative, with the final cut running a lean 97 minutes, a deliberate choice to focus squarely on the central conflict and character dynamics.

The film's success hinged on the return of its core cast and the introduction of compelling new characters.

  • Tom Hardy as Eddie Brock / Venom: Hardy reprised his dual role, further refining the distinct personalities of the harried, well-meaning Eddie and the aggressive, Tater Tot-loving Venom. His physical and vocal performance is the anchor of the film, selling the complex internal (and external) conflict of a man sharing his body with a powerful alien.
  • Woody Harrelson as Cletus Kasady / Carnage: Having been teased in the first film, Harrelson's full-fledged role was highly anticipated. He portrays Cletus as a deeply disturbed and charismatic serial killer, shaped by a lifetime of trauma. The film controversially abandoned his initial “clown wig” from the 2018 cameo for a more natural look. The design of Carnage was a crucial element. The filmmakers wanted him to be distinct from Venom—slimmer, more weaponized, and unsettling in his movements. His body constantly forms blades, tendrils, and spikes, reflecting his host's chaotic and violent nature. His vibrant red coloration and more chaotic, fluid transformation sequences were designed to contrast sharply with Venom's bulky, black form.
  • Naomie Harris as Frances Barrison / Shriek: The casting of Academy Award nominee Naomie Harris brought significant gravitas to the role of Cletus's long-lost love. Shriek, a character intrinsically linked to Carnage's comic book origins, was adapted with a focus on her tragic backstory and her powerful sonic abilities. Her powers serve as a critical plot device, representing a key weakness for both Venom and Carnage.
  • Michelle Williams as Anne Weying: Williams returned as Eddie's ex-fiancée, a vital link to his humanity. Her role expands to be a key confidante and ally, and the film provides another fan-favorite, albeit brief, appearance of She-Venom in a pivotal moment.

Act I: A Fractured Bond and a Killer's Invitation

The film opens in 1996, introducing a young Cletus Kasady at the St. Estes Home for Unwanted Children. He helplessly watches as his love, Frances Barrison, who possesses a dangerous sonic scream, is taken away to the Ravencroft Institute. During the transfer, her powers manifest, causing her to injure a young police officer, Patrick Mulligan, in the eye. In the present day, roughly a year after the events of the first film, Eddie Brock's career has been revitalized. He has an exclusive arrangement with the incarcerated serial killer Cletus Kasady, who refuses to speak to anyone else. However, his life is in constant turmoil due to the Venom symbiote living inside him. Their relationship has devolved into that of a bickering couple. Venom desires the freedom to eat the brains of bad guys, while Eddie insists on a strict diet of chickens and chocolate, trying to keep a low profile. This “Lethal Protector” lifestyle is causing immense friction, straining their bond to its breaking point. During a prison visit, Cletus, through cryptic clues and a poem, reveals the location of his victims' bodies to Eddie. This information leads Detective Mulligan to the mass grave, catapulting Eddie to journalistic stardom and ensuring Cletus is sentenced to death by lethal injection. Enraged by Eddie's perceived betrayal and the sensationalized article, Cletus invites Eddie for one final interview. During a heated confrontation, Cletus provokes Venom, who lashes out. In the chaos, Cletus bites Eddie's hand, unknowingly ingesting a small part of the symbiote. Back on death row, as the execution begins, the alien substance in Cletus's bloodstream activates. It violently transforms him, creating a new, monstrous red symbiote. Proclaiming, “Let there be Carnage,” he breaks free, slaughtering guards and freeing himself from prison. This new entity, Carnage, is born.

Act II: The Breakup and a Reign of Terror

The creation of Carnage proves to be the last straw for Eddie and Venom. After a violent, apartment-destroying fight, Venom separates from Eddie, declaring his independence. He leaps from host to host across San Francisco, attempting to find a new, more accommodating partner, even making a memorable appearance at a rave where he delivers a heartfelt speech on tolerance and acceptance. Meanwhile, Eddie's life falls apart without the symbiote. Freed from prison, Cletus and Carnage embark on a city-wide rampage. Their goals are intertwined: Cletus wants to reunite with his lost love, Frances Barrison (now known as Shriek), while Carnage seeks to kill its “father,” Venom. They track down Shriek at Ravencroft, with Carnage's raw power easily overwhelming the facility's security. Carnage is initially weakened by Shriek's sonic scream but is not destroyed by it, unlike other symbiotes. They escape together, a deadly duo united by their shared trauma and love, and begin to hunt down those who wronged them, including their old headmistress at St. Estes. Detective Mulligan, suspecting Eddie's involvement due to his connection to Cletus, arrests him. Eddie, now powerless, struggles to explain the existence of aliens and symbiotes. He reaches out to his ex-fiancée, Anne Weying, who is now engaged to Dr. Dan Lewis. Anne, knowing the truth, locates Venom and convinces him that he and Eddie need each other. In a memorable scene, Anne briefly bonds with the Venom symbiote again, becoming She-Venom to break Eddie out of police custody. Eddie and Venom reconcile, understanding they are stronger and better together. Their goal is now clear: stop Carnage.

Act III: The Symbiotic Showdown

Cletus and Shriek kidnap Anne and Detective Mulligan, luring Eddie and Venom into a final confrontation at a massive, partially-reconstructed cathedral. Cletus proposes a “red wedding,” intending to marry Shriek before killing their hostages. The ensuing battle is a chaotic display of symbiotic power. Carnage, being a “descendant” of Venom, is stronger, more violent, and has a greater array of bladed weapons. He easily overpowers Venom in direct combat. The cathedral's large bell becomes a key factor. As it rings, the intense sonic vibrations severely weaken both symbiotes. Shriek, unable to control her powers amidst the chaos, unleashes a powerful sonic blast that hurts Carnage as much as it does Venom. Carnage, seeing her as a liability due to his newfound weakness to sound, attacks her. This betrayal gives Venom an opening. Realizing the bond between Cletus and Carnage is not as perfect as his own with Eddie, Venom exploits this weakness. He separates Cletus from Carnage just long enough to consume the Carnage symbiote, effectively killing it. He then throws the now-powerless Cletus from the top of the cathedral. As Cletus falls, Venom catches his head, looks him in the eyes, and devours him, finally satisfying his hunger and ending the threat. In the aftermath, Eddie and Venom are fugitives. They say a final, heartfelt goodbye to Anne and Dan, accepting their new life on the run. The final scene shows them relaxing on a remote beach in Mexico, watching a sunset, having finally found a true, symbiotic peace with one another.

The heart of the film is the evolution of the relationship between Eddie and Venom. Where the first film established their pairing, the sequel explores the messy reality of their codependence. Tom Hardy masterfully portrays this duality, often acting against himself in scenes filled with physical comedy and rapid-fire arguments. Eddie is a man constantly on the verge of a breakdown, trying to impose order on the chaos Venom brings. Venom, voiced by Hardy with a deep, distorted growl, is portrayed as a petulant, powerful, and surprisingly sensitive being. He feels unappreciated and longs for both acceptance from Eddie and the freedom to be a “Lethal Protector.” Their “breakup” and eventual reconciliation form a complete character arc that is more akin to a romantic comedy than a traditional superhero film, a unique take that defines the franchise.

Woody Harrelson's Cletus Kasady is the film's chaotic antagonist. He is presented as a product of horrific abuse, a man who sees violence and nihilism as the only truths in the world. Harrelson imbues him with a strange, off-kilter charisma that makes his madness compelling. When he bonds with the Carnage symbiote, it's not a partnership of equals like Eddie and Venom; it's an amplification of his pre-existing evil. Carnage is Cletus's id unleashed. Comic Book Comparison (Earth-616): The film's origin for Carnage is a significant departure from the comics. In the Prime Comic Universe, Eddie Brock was Cletus Kasady's cellmate in Ryker's Island prison. When the Venom symbiote broke Eddie out, it left behind an offspring, or “spat,” which entered Cletus's bloodstream through a cut. Because the symbiote gestated in his blood, the bond was far deeper and more permanent than Eddie's, making Carnage significantly more powerful. The film simplifies this by having Cletus bite Eddie, which is a more direct and cinematic way of establishing their connection. The film's Carnage also lacks the comic version's occasional fourth-wall-breaking tendencies and philosophical musings on chaos, focusing more on his personal vendetta and love for Shriek.

Michelle Williams returns as Anne, serving as the emotional anchor for Eddie. She is the only person who truly understands his situation and acts as the catalyst for his reunion with Venom. While her screen time is limited, her role is crucial. The brief reappearance of She-Venom is pure fan service but is executed effectively, showcasing her competence and reinforcing her unique place in Eddie and Venom's world. She represents the normalcy Eddie can no longer have but still strives to protect.

Naomie Harris delivers a pained and intense performance as Frances Barrison. Shriek is not just a secondary villain but the emotional motivation for Cletus Kasady. Her backstory in Ravencroft provides a sympathetic angle to her character, casting her and Cletus as tragic, broken figures. Her sonic powers are not only a visual spectacle but a fundamental plot device, creating a specific vulnerability for the symbiotes that becomes the key to defeating Carnage. Comic Book Comparison (Earth-616): The film's Shriek is largely faithful to her comic book counterpart. In the comics, Frances Barrison is a mutant with the power of sonic manipulation and the ability to stir up dark emotions in others. She was a key figure in the seminal Maximum Carnage storyline, where she acted as Carnage's “mother” figure within their makeshift family of killers. The film streamlines her powers, focusing only on the sonic scream, and firmly centers her entire motivation around her love for Cletus, making their relationship the core of her character.

At its core, Venom: Let There Be Carnage is a film about relationships. The central “love story” is between Eddie and Venom, who must learn to accept each other's flaws and work together to be whole. Their journey is paralleled by the toxic, destructive relationship between Cletus and Shriek, two broken individuals who find solace only in each other's darkness. The theme of duality is ever-present, exploring the man vs. monster conflict within both Eddie and Cletus. Ultimately, the film argues that a symbiotic relationship—whether alien or human—requires compromise and acceptance to succeed, whereas a parasitic one, like Cletus and Carnage's, is doomed to self-destruct.

While the film is not a direct adaptation of any single comic storyline, it draws heavy inspiration from the 1993 epic, Maximum Carnage. That 14-part crossover event saw Carnage and Shriek lead a “family” of supervillains on a bloody rampage through New York City, forcing Spider-Man to team up with Venom and other heroes to stop them. The film borrows the core pairing of Carnage and Shriek and their shared desire to spread chaos, but scales the conflict down to a more personal story focused on Eddie and Cletus. The film's aesthetic, particularly the dark, gothic setting of the final cathedral battle, evokes the tone of 90s era Marvel comics. Other key adaptations include:

  • Ravencroft Institute: A staple of the Spider-Man universe, this facility for the criminally insane is analogous to DC's Arkham Asylum and is faithfully represented as Shriek's prison.
  • Detective Patrick Mulligan: In the comics, Mulligan is the first human host of the Toxin symbiote, the “son” of Carnage. The film's ending, where a seemingly-dead Mulligan's eyes glow blue, is a direct and explicit setup for Toxin's potential introduction in a future film.

The Post-Credits Scene: A Multiversal Leap

The mid-credits scene of Venom: Let There Be Carnage is arguably its most important contribution to the wider superhero genre.

While relaxing in their Mexican hotel room, Venom tells Eddie that the symbiote hive mind possesses knowledge across countless universes. As he offers to show Eddie a glimpse, the room begins to shake and distort with a strange yellow light. When it subsides, the dingy hotel room has transformed into a much nicer resort suite. On the television, a news report is playing, featuring J. Jonah Jameson (J.K. Simmons) from the MCU, revealing the identity of Spider-Man as Peter Parker (Tom Holland). Venom, seemingly recognizing Spider-Man, approaches the screen and licks it, saying, “That guy.”

What does this scene mean? This scene is the direct result of Doctor Strange's botched memory-erasing spell in Spider-Man: No Way Home. As established in that film, the spell pulled anyone from across the multiverse who knew Peter Parker was Spider-Man into the MCU. This scene confirms that the symbiote hive mind, with its trans-universal knowledge, knew of a Peter Parker, thus causing this specific Eddie and Venom to be pulled into the MCU (designated Earth-199999). This moment officially, albeit temporarily, integrated Sony's franchise with the Marvel Studios mainline continuity, a landmark deal between the two studios. The implications were fully realized in the post-credits scene of Spider-Man: No Way Home, which saw Eddie and Venom sent back to their home universe, but not before leaving a small piece of the Venom symbiote behind in the MCU.

Venom: Let There Be Carnage received a mixed-to-positive reception from critics. Many praised its fast pace, heightened sense of humor, and the central performance of Tom Hardy. The dynamic between Eddie and Venom was widely considered the film's strongest element. Andy Serkis's direction was also noted for improving the visual clarity of the symbiote action sequences compared to the first film. Criticism was often directed at the film's brisk runtime, with some feeling that the plot and villains could have been more developed. Woody Harrelson's performance was generally well-received, though the character of Carnage was sometimes seen as a one-dimensional threat. For audiences, the film was a resounding success. It broke pandemic-era box office records upon its release, ultimately grossing over $506 million worldwide against a budget of $110 million. This financial success solidified the Venom franchise as a cornerstone of Sony's Spider-Man Universe and guaranteed the development of a third film.


1)
The film's working title was Fillmore, a nod to the famous San Francisco music venue.
2)
Director Andy Serkis has a small, uncredited voice cameo in the film. He provides the voice for the man at the rave who gives Venom a compliment on his costume.
3)
The poem that Cletus writes on his cell wall, “Where is the one who stood by me… so that love may be,” is an adaptation of lyrics from the song “The Perfect Pairing” by the indie band The Handsome Family.
4)
The rave scene where Venom declares himself a “Lethal Protector” and advocates for alien rights is a direct nod to his 90s comic book miniseries of the same name, which first established his anti-hero persona in San Francisco.
5)
The newspaper The Daily Bugle seen in the film features the same masthead and logo as the one used in Sam Raimi's Spider-Man trilogy, a fun Easter egg for long-time fans.
6)
The creation of Carnage via a bite is a significant departure from the comics but bears a slight resemblance to the origin in the Ultimate Spider-Man comic continuity (Earth-1610), where the Carnage organism was an artificial creation made from the blood of both Peter Parker and Dr. Curt Connors, which consumed its hosts.
7)
The final battle's setting in a cathedral is a direct homage to many symbiote stories, as the sound of a large church bell is a classic weakness for Venom, famously used by Spider-Man in their first major confrontation in Web of Spider-Man #1.